Seventy Six by Alison Glass

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Inspired by words like Harmony, Renewal, and Goodness, the idea for the patterns in Alison Glass‘ Seventy Six for Andover Fabrics was born. Seventy Six is a versatile collection of thirty fabrics. Ten of them are especially useful neutrals ranging from white to dark grey in a perfect scale for quilting. Images of birds and bees mix with stars, flowers, and pretty line-work in lovely harmony. The colors, saturated and complex, represent a more controlled AG palette, sure to make for beautiful patchwork. Alison’s coordinating thread collections offer a wonderful range for sewists and quilters. The Large collection features a mix of colors in 50wt. The Small collections are broken out into Warm, Cool and Neutral tones, each with 5 colors in both 50wt and 28wt.

Read on for all sorts of thread info, an interview with Alison, info about her fabric and embroidery designs and of course… a GIVEAWAY!

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THREAD COLLECTION DETAILS
Seventy Six Large Collection
12 Large Spools, 50wt (1422yds/spool)
4030 – 2588 – 4020 – 5002 – 2235 – 5015
5022 – 2910 – 2815 – 2525 – 6722 – 6736alisonglass-sevetysixlg

Seventy Six Small Collection, Warm Palette
Small, 50wt (220yds/spool) & 28wt (109yds/spool)
4030 – 2588 – 4020 – 5002 – 2235 (50wt) 4030 – 2588 – 4020 – 5002 – 2235 (28wt)alisonglass-seventysixwarmsm

Seventy Six Small Collection, Cool Palette
Small, 50wt (220yds/spool) & 28wt (109yds/spool)
5015 – 5022 – 2910 – 2815 – 2525 (50wt) 5015 – 5022 – 2910 – 2815 – 2525 (28wt)alisonglass-sevetysixcool-sm

Seventy Six Small Collection, Neutral Palette 
Small, 50wt (220yds/spool) & 28wt (109yds/spool)
6722 – 6736 – 2021 – 2615 – 2784 (50wt) 6722 – 6736 – 2021 – 2615 – 2784 (28wt)alisonglass-seventysixneutralsm

To view this info on our website, click on any of the images above. For purchasing, please contact your local Aurifil Dealer.

THE INTERVIEW
How did you background in home décor inspire and guide your journey in textile design?
About 8 years ago, I started a business doing organization and decorating for clients. I dropped the organization component after about a year to focus on space remodels. I began using fabrics from the quilting industry in client’s homes because the fabric was more in line with what I was looking for, interesting design with bolder colors, and overall just different from a lot of the home dec fabric available. Through working with these fabrics, I became very interested in the idea of designing fabric and eventually did design my first line that ended up being produced by Andover Fabrics.

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Do you come from a creative background and how did that influence your path?
My mother’s mother sewed beautifully, really truly very talented, but I didn’t know her well, so anything from her would be in the genetic category. My mother also was very, very talented at a lot of things, including sewing and color. I do remember sitting by her and watching her sew and I remember her telling me things about how to use the machine, etc., but she passed away when I was nine, so to say that she taught me to sew wouldn’t be true. I’m sure she would have, we just didn’t get to it. She still is one of my greatest influences though, in immeasurable ways. I did take a class when I was around twelve, which was mainly useful in learning how to thread my sewing machine (a Bernina that had belonged to my mom that is still the main machine around here), and from there I just kind of sewed and figured it out.

[Matchstick Quilt Straight line quilting by Mary Menzer.]

How you first got started in the world of sewing and quilting?
I guess like both my mum and her mum, a lot of the sewing I started out doing was out of a practical desire of wanting things for my home, and because I could. I mainly sewed home décor items such as pillows and slip covers. Then when I started having kids I made nursery things. From there, I started to create things for other people which helped to grow my business. I also sew because I love fabric and always have. It is strange to think back and see a path leading to fabric design, but it all makes sense.

Bungalow Quilt

Bungalow Quilt

How did you first connect with Andover Fabrics and what do you love most about working with them?
Working with Andover is very collaborative and I love that. They are great at listening and and we really do work together to grow in ways that are best for the whole. Andover is also extremely committed to quality in everything they produce, as am I, so that works out well for all of us and for the people who end up using the fabrics. They are also kind, nice and a lot of fun! We have a good time and it feels like a positive group project where everyone contributes.

Seventy-Six and Insignia are your latest collections with Andover. What inspired these lines and what do you love most about how the two coordinate?
Seventy Six is inspired by historic celebrations and focuses on themes of renewal, goodness and harmony. It’s a very personal line and for sure a favorite of mine. I love how the colors work together and I think it represents and important shift in my thought process as a fabric designer. Insignia fills a need for solid fabrics that coordinate with my prints. The saturation of the colors is amazing. The mill did such  great work with the printing and the texture of the fabric shows so beautifully. I love how Insignia works with Seventy Six, and really all of the fabrics, to give some needed space to the busy. Both of these lines are for sure favorites of mine.

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Cobblestone Quilt

You work with an amazing and diverse group of makers to showcase your fabrics. What is it like to see your fabrics come to life in the hands of these talented women & men?
That’s true, everyone that helps by making is amazing. I’m extremely lucky to have a large group of tallented people interested in the work and willing to make things with it. It’s not something I take lightly or for granted at all. Every person that helps to show what can be done with the fabric is immensely important to getting the work out and seen so that others can continue in their own making. I appreciate every piece and truly love being in the position to make a raw good that others can use to create their own heirlooms. I have a certain capacity for imagining uses, but it’s so small compared to what others choose. It’s truly a favorite part of the job.

When did you first discover Aurifil threads and what do you love most about them? Do you have a favorite color/weight?
Aurifil first is a super group of hard working people making a superior product. I simply first discovered Aurifil at my first or second Quilt Market by walking past their booth and seeing a wall of amazing brilliant color. That is what drew me in, then learning about the quality sealed the deal. I have tons of colors I love, but one that stands out is 5022, it’s a personal favorite that has ended up in multiple AG collections. It’s a beautiful chartreuse color that I’m personally very drawn to. I love the matte finish of the threads and again the wide range of gorgeous colors.

How did you go about selecting threads for your latest Aurifil collection, and how would you want to present them to all of the makers out there?
The collections fall into two categories. The three small boxes (Warm, Cool and Neutral) each have five colors in two weights. I chose the two weights so that people would have colors that work well with the fabrics, but also choices for uses. The 50wt is great for piecing while the 28 is super for visible colorful quilting, a concept I love and am hoping to share with other through these collections as well as some of our newer patterns. The Neutral box is particularly  useful. Each of the five weights/colors would cover the majority of needs. While the colors are chosen to work well with Seventy Six and Insignia, the reality is that they blend beautifully with the majority of my fabrics (and others). The large box is 12 useful colors that go great with the fabrics, but are also chosen to use with my machine embroidery collections for Bernina and OESD. I have a new (really fun!) machine embroidery collection and these threads are chosen specifically to make for a great outcome for those designs.

[Attacus Linework Moth & Attacus  Linework Crewel Style Moth by Nydia Kehnle.]

THE SEVENTY SIX EXPERIENCE
Alison Glass isn’t just a designer, a quilter, or an artist… she is a story-teller. With each collection release, she tells a new story, adding to her rich history. Seventy Six isn’t just a group of thread collections or a new fabric line (partnered with Insignia) for Andover… It isn’t just a new set of embroidery designs with OESD or a set of fabulous temporary tattoos. It is the works of art that come from it all, the new projects that are thoughtfully created by so many talented makers. Alison inspires people to dig deeper into their own creative instincts and the results are always stunning. We couldn’t help but share a few examples here.

THE FABRIC
Seventy Six & Insignia by Alison Glass for Andover Fabrics

THE EMBROIDERY DESIGNS
Seventy Six Embroidery Designs by Alison Glass for OESD
{all designs were stitched using Aurifil 50wt. Thread color chart is available on disc}screen-shot-2016-12-09-at-12-29-11-pm

THE GIVEAWAY
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To enter-to-win 1 Fat Quarter Bundle of Seventy Six by Alison Glass for Andover Fabrics, 1 Large Seventy Six Thread Collection by Alison Glass for Aurifil and one Embroidery Designs disc by Alison Glass for OESD, click here to head to the Rafflecopter entry page, or simply click on the image above. You do not have to complete all the options to be entered but the more options you choose, the more entries you have!  Entries will be accepted from now through 11:59pm Eastern Time on Friday, December 16! Winner will be randomly selected and announced here on Saturday, December 17. Good luck!

ANOTHER FAB GIVEAWAY!!
Also, don’t miss out on this AMAZING giveaway going on now over at Andover Fabrics! Click here or on the image below for more information. Giveaway runs through Tuesday, December 15th at 5pmEST.screen-shot-2016-12-09-at-12-33-40-pm

ABOUT ALISON
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Alison Glass is a surface designer living in Virginia with her husband, daughter, and son. Aspiring to create a career for herself, Alison started a design business in 2007 focusing on space remodels and custom home decor pieces. Her love of color and shape and the combination of the two eventually lead to making the decision to step back from the local design business and work toward her goal of creating artwork for surfaces. She is thrilled for the opportunity to design fabric for Andover.

Alison is inspired by the multitude of details in the world, both natural and those made by artisans, particularly in urban architecture. She is passionate about the ideas of making choices that are consistent with who a person is, being increasingly comfortable with ambiguity, and continuing to move forward and live in the new. She loves to talk about these ideas, as well as art, design, architecture, color, kids, okay, pretty much anything, with anyone who cares to talk! She is incredibly grateful to her husband and kids, for who they are, and for their enthusiasm and support of her work, as well as the amazing varied and interesting friends she is meeting along the way who are a constant source of inspiration and new possibilities.

[bio & photos courtesy of Alison Glass. Many photos by Love Knot Photo. Feature showcase photos by Nichole VogelsingerKarie JewellJamie Swanson, Kate BastiWendy Bermingham, SARIELLA Studios, Kitty Wilkin, and Kristy Sachs.]

Sew Mama Sew Giveaway Day!!

Sew Mama Sew‘s Giveaway Day brings bloggers, designers and brands together for one giant collaborative giveaway event. It’s a tremendous time for new product discoveries, fun connections with your favorite blogs, introductions to a wide range of brand new blogs AND it allows all of us to have a bit of fun with all of you! It’s an exciting time and we’re thrilled to be a part of it for another year.

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This year, Aurifil has not one, but TWO fabulous giveaways. One is open to US-participants ONLY and one is open Internationally. These bundles feature two extremely talented designers with recent Aurifil thread collection releases and we couldn’t be more thrilled to have a new opportunity to showcase them today!

DOMESTIC/US ONLY GIVEAWAYamandamurphy-sewmamasew

The threads for Amanda Murphy‘s debut Aurifil collections were selected to coincide with her Benartex fabric collections Sewing Room and Feathers & Flourishes The large box features a variety of 50wt threads in addition to Aurifil’s clear monofilament thread, Amanda’s choices for both piecing and quilting. The small box features her top choices in both 12wt & 28wt, making it an excellent  sampler for anyone looking to try appliqué with heavier weight threads.

This giveaway is for 1 Large Thread Box, 1 Small Thread Box and 1 Fat Quarter Bundle of Sewing room by Amanda Murphy for Benartex. Click here or on the image above to access the Rafflecopter entry for this giveaway. You do not have to complete all the options to be entered but the more options you choose, the more entries you have!  Entries will be accepted from now through 11:59pm Eastern Time on Saturday, July 30! Winner will be randomly selected and announced here on Sunday, July 31. Good luck!

To learn more about Amanda’s collections, please click here.

INTERNATIONAL GIVEAWAYsewillustrated

Minki Kim (aka @Zeriano) is a sewing illustrator and crafter known for her sweet and whimsical thread art. Minki selected her most used colors and thread weights for her debut Aurifil thread collection, Sew Illustrated. In her words, “Threads are like brushes. You need different sized brushes when you paint.” This collection is perfect for both beginner and seasoned sewing illustrators!

This giveaway is for 1 Large Thread Box, 1 Small Thread Box and 1 copy of Sew Illustrated by Minki Kim and Kristin Esser for Stash Books/C&T Publishing. Click here or on the image above to access the Rafflecopter entry for this giveaway. You do not have to complete all the options to be entered but the more options you choose, the more entries you have!  Entries will be accepted from now through 8:00pm EST on Sunday, December 11! Winner will be randomly selected and announced here on Wednesday, December 14. Good luck!

To learn more about Minki’s collections, please click here.

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Don’t forget to head on over to Sew Mama Sew to check out all of the amazing giveaways featured on some other great blogs and make some new friends!

Good luck and happy stitching!!

Deep Gems by Paula Nadelstern

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Paula Nadelstern‘s Deep Gems collection for Aurifil was prepared as a representation of the vibrant and rich colors typically present within her kaleidoscopic fabric designs. Oranges, reds and pink offset the cool blue and green tones, creating a truly fantastic range. Though these colors work particularly well in partner with Paula’s unique quilting style, they would also be the perfect complement to a variety of quilt projects. The collection features 12 unique colors of the highly versatile 50wt thread.

THREAD COLLECTION DETAILS
Deep Gems
12 Large Spools, 50 wt, 1422yds/each
2145 – 2150 – 2270 – 2260 – 4020 – 2545
5022 – 1147 – 2870 – 2810 – 2735 – 1200

paulanadelstern-deepgems

To view this info on our website, click the image above. For purchasing, please contact your local Aurifil Dealer.

THE INTERVIEW
Can you tell us a bit about yourself and how you first got started in the world of quilting and textiles?
I’m a New Yorker wrapped up in the fabric of city life. In fact, I make my quilts on the same block in the Bronx where I grew up. I settled into full time quilt making by way of the playground park bench. That’s where moms on hiatus from previous lives (I was an Occupational Therapist) hang out and share ideas—like organizing total non-sewists and quilt novices into making a raffle quilt for the local cooperative nursery school, the same one I’d gone to as a toddler. One good group quilt led to another and another. By the time I gave up my place on that bench to the next generation of moms, I had the expertise and repertoire for a comprehensive book on group quilts (Quilting Together, Crown Publishers 1988) and was stitching my way toward a new career. And to this day, over 40 years later, the Nursery moms make an annual raffle quilt.

Who or what has been your greatest creative inspiration?
My interest in things kaleidoscopic began in 1987 when I was struck by a bolt of fabric–a sumptuous, sinfully-expensive, bilaterally symmetrical Liberty of London cotton. Little did I know that purchasing a quarter yard would change my life forever, leading me three years and four quilts later to purchase my first actual state-of-the-art kaleidoscope and join the Brewster Kaleidoscope Society, The BKS is a society of artists who design and create kaleidoscopes, galleries and shops who sell kaleidoscopes and collectors and museums who appreciate and enjoy them.

The amazing first bolt of Liberty of London fabric

The amazing first bolt of Liberty of London fabric

The insight from this anecdote is obvious: buy that piece of fabric no matter how expensive it is. As I peer through the many incredible kaleidoscopes I have garnered over the years, like a sleuth searching for clues, I discover my design inspiration all over again. Who knows what the next turn of the scope will reveal to me or to you?

With hindsight I’ve realized that another factor played strongly in the development of my personal design and technique strategies. Historians have suggested that the block-style method of making quilts evolved in response to the cramped quarters of early American life. My family’s living arrangements in an urban environment created similar considerations that, unwittingly, I resolved in much the same way.

When I started making kaleidoscope quilts, my workspace in our two-bedroom apartment was the forty-inch round kitchen table. (I’m the only person I know who taught her family to eat in front of the TV). I think the reality of limited space helped shape my idiosyncratic style. Instead of the traditional square-shaped-block, my block-style method is based on a triangle because a kaleidoscope is a circular design composed of identical triangular wedges that radiate from a center point. Throughout the design stage, I’m working on a single full-size triangle that is drafted on graph paper and patched from fabric using templates. Whatever I do to one triangle, I simultaneously do to all 6 or 8 or 16. I don’t see the final gestalt until the last seam is sewn.

Do you remember the process of creating your first quilt and how you felt once it was finished?
Lots of teachers on the circuit will tell you about the important female in their early lives who taught them to how to sew, insisting (kindly or not) that all imperfection be repaired. I grew up with a mom who prided herself on not being “fussy”, mended a lot (a habit left over from the Depression) and generously appraised every attempt of mine as either great or good enough. I am not complaining. When, as a young teen, I borrowed her much revered but temperamental second-hand, brand-name sewing machine, the bobbin would jam within minutes. Although this led me to suspect I wasn’t very good at sewing, I returned to it again and again because there is something optimistic about a palette of colorful, tactile fabric.

My matriarchal aunt’s gift to sixteen-year-old me of a steadfast Singer Featherweight©, purchased for $25 at a yard sale and fitted with a single hole throat plate, changed all that. (I used to call it an old machine until I learned it was a year younger than I am.) Together we made my first quilt (a comforter cover really) in 1968 in my college dorm, ripping up my old clothes into 10” squares and sewing them together. I was exceptionally proud of it and so was my mom. Today I work in a 15-by-10-foot studio revamped from my daughter’s former bedroom. Picture ceiling high cupboards stuffed with fabric, drawers overflowing with the paraphernalia quilters collect, 6 feet of design wall, and a Bernina poised for action on a 4-by-6-foot counter.

Paula's prized first quilt

Paula’s prized first quilt

Your book, Fabracadabra, was just released with C&T Publishing. Can you tell us a bit about that process and what you loved most about it?
I’ve been told that I write books pretty much the same way that I make quilts. Fabric by fabric. Choice by choice. In a word, slowly.

The truth is, I’d rather be working on a quilt than writing about it. But it’s not until you write about something that you understand it really well. Breaking down your own creative act, first by identifying your personal strategies, and then by dividing them into a sequence of steps, forces you to reflect on what things aren’t as well as what they are. This exploration steers you in lots of valuable directions. It leads you to the vocabulary needed to articulate your private visual language. It helps you recognize the kinds of mistakes students are likely to make and head them off in class. And sometimes, when you are very lucky, it awakens new ideas, pushing you, the artist, further along your creative path.

fabracadabra

The book demonstrates how quilts made of simple shapes can be transformed into complex-looking quilts that are easy to piece using gorgeous, intricate fabric. Some, but not all, of the quilts are traditional patterns, gift-wrapped with charismatic fabrics.

Do you have a favorite project from the book?
One of my favorite quilts from my new book FABRICADABRA, Simple Quilts, Complex Fabric is the quilt called An Agreement of Butterflies.

I was waiting to give my lecture to the Prairie Quilt Guild in Wichita, KS when a traditional butterfly quilt held up during Show & Tell captured my attention. In a flash, I recognized a kindred pattern capable of showcasing a gazillion symmetrical prints all at once. Choosing the fabrics bewitched me into a flow state, the name for those glorious moments when you’re so energized by the task at hand that time seems immaterial. I made many more 5” x 5” squares than needed.

Closeup of An Agreement of Butterflies by Paula Nadelstern

Closeup of An Agreement of Butterflies by Paula Nadelstern

The collective nouns for various groups of animals and birds amuse me. A shrewdness of apes. A murder of crows. I assumed there’d be one for butterflies but when I couldn’t find it, I made one up. Assembled from forty-nine different fabrics (plus a common butterfly belly and black background equals fifty-one) from my first thirteen fabric collections for Benartex, these diverse colors and prints seem to be in accord — that’s why I called it An Agreement of Butterflies. So, color me speechless when a second internet search, six months after the first one, revealed labels for a multitude of butterflies. A rabble of butterflies. A flutter of butterflies. An equally appealing quilt title, a rainbow of butterflies. But the perfect coincidence, the goose bump laden karmic moment was the phrase: a kaleidoscope of butterflies. It must be true, I Googled it.

An Agreement of Butterflies by Paula Nadelstern

An Agreement of Butterflies by Paula Nadelstern

In your work, you herald the kaleidoscope, a word you say promises ‘surprise and magic, change and chance’. How has this informed your quilting style?
For almost forty years, the kaleidoscope has not only been my design inspiration, it’s also been my classroom. Analyzing not only what a scope is but also what it isn’t has steered me in lots of valuable directions, including toward the fundamental principles of design. I’ve learned to manipulate physical properties like focal point, rhythm and line to inject a feeling of motion into an otherwise static image. But it is the unique qualities synonymous with the kaleidoscope personality that I’m always trying to get to know better. Surprise. Magic. Change. Chance. I’ve learned that to conjure an instant of luminous and fleeting spontaneity, I’ve got to trust in symmetry, rely on detail, commit both random and staged acts of color and understand that the whole will always be greater than the sum of its parts. No matter what my quilts look like in the future, this personal design vocabulary, gleaned through the eyepiece of a kaleidoscope, will take the journey with me.

When did you first discover Aurifil threads and what do you love most about them? Do you have a favorite color/weight?
I’ve been using Aurifil 50 weight for years for piecing. My larger quilts can end up with thousands of seams. I like that I can rely on the combination of delicacy with strength because it helps keep the multitude of seams thin and not bulky.

I’ve used Aurifil 12 in many of the beautiful colors for embroidery and for a big stitch echoing a hand quilting stitch.

Paula at 2013 Quilt Market in Houston

Paula at 2013 Quilt Market in Houston

KALEIDOSCOPIC XXXVIII: Millifiori, 82“x 82“, is my first quilt using only fabric from collections I’ve designed for Benartex and the first one quilted by me on a long arm machine courtesy of APQS. In 2013, I spent Houston Quilt Market in the APQS booth, quilting this extremely patterned piece, mentored by the delightful, generous staff. I think the choice of an olive Aurifil thread was brilliant. I’m fascinated by the effect, the impression that the thread changes colors, chameleon-like, against the multitude of hues in the quilt: golden, green, dark, light.

KALEIDOSCOPIC XXXVIII: Millifiori, 82“x 82“, Paula Nadelstern (2013)

KALEIDOSCOPIC XXXVIII: Millifiori, 82“x 82“, Paula Nadelstern (2013)

How did you go about selecting threads for your Aurifil collection and what excites you most about the range that you are presenting?
My intent when selecting the colors for my Aurifil collection was like my goal when I design fabric for Benartex. I want to offer beautiful stuff that can be used in a myriad of ways for anyone’s piecing adventure, not just to be used to make kaleidoscopic designs. I welcome color and motif inspiration whenever I’m lucky enough to notice it: an elevator door, a set of Italian dishes, a painting at the Met, the arabesque patterns in the Sheikh Zayed Grand Mosque on a teaching trip to Abu Dhabi.

deepgems-paulanadelstern

These charismatic and luminous jewel tones tickle my imagination. In fact, I plan to use DEEP GEMS as the inspiration for one of the colorways in my next fabric collection. I can’t wait to see what happens.

THE GIVEAWAY

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To enter-to-win 1 Large Deep Gems by Paula Nadelstern for Aurifil Thread Collection + 1 copy of Fabracadabra by Paula Nadelstern for C& T Publishing and 2 bundles of Kismet by Paula Nadelstern for Benartex , click here to head to the Rafflecopter entry page, or simply click on the image above. You do not have to complete all the options to be entered but the more options you choose, the more entries you have!  Entries will be accepted from now through 11:59pm Eastern Time on Wednesday, December 14! Winner will be randomly selected and announced here on Thursday, December 15. Good luck!

ABOUT PAULA
paula-profilePaula’s quilts have achieved international recognition for the innovative and complex designs inspired by the bilateral symmetry of kaleidoscopic images. Honored by inclusion in the Twentieth Century’s 100 Best American Quilts, her designs have inspired products including the vast carpet in the Hilton Americas hotel in Houston, TX and were showcased in the American Folk Art Museum’s first one person exhibition highlighting the work of a contemporary quilt artist (2009). In addition to numerous awards, Paula was a recipient of fellowships from the New York Foundation for the Arts and The Bronx Council on the Arts. She is the author of FABRACADABRA, Simple Quilts, Complex Fabric, Kaleidoscopes & Quilts, Snowflakes & Quilts, Puzzle Quilts: Simple Blocks, Complex Fabric, Paula Nadelstern’s Kaleidoscope Quilts: An Artist’s Journey Continues, and Kaleidoscope Quilts: The Workbook. She designs textile prints exclusively for Benartex, Inc. and lives in New York City with her husband, Eric. her daughter, Ariel, lives a block away. 

Learn more about Paula on her website — http://paulanadelstern.com/

Showcase Sunday {12.4}

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It’s been a long time since we’ve posted a  Showcase Sunday, so welcome back! We love having a forum to showcase the beautiful work that all of you do!  We can’t get enough of the lovely things that you’re making, so keep tagging us and sharing your work and we’ll feature some of our favorites here every other Sunday. Don’t forget to check in on Facebook & Instagram to see more! Happy Stitching:).

(Click on any image below to visit the artist’s Instagram account for more!)

@charmaboutyou

@charmaboutyou

@josewshandmade

@josewshandmade

@iamlunasol

@iamlunasol

@skinnymalinkyquilts

@skinnymalinkyquilts

@quiltyhabit

@quiltyhabit

@nightquilter

@nightquilter

@mybearpaw

@mybearpaw

@gardenvarietycookie

@gardenvarietycookie

@lappelises_quiltestue

@lappelises_quiltestue

@lesliepeterson5

@lesliepeterson5

@pieladyquilts

@pieladyquilts

@bigstitchquilting

@bigstitchquilting

@ml_wilkie

@ml_wilkie

@chelsierosner

@chelsierosner

@misterdomestic

@misterdomestic

@mrssophie2

@mrssophie2

Find free patterns, tips, tutorials and inspiration by following Aurifil on PinterestFacebook, and Instagram. All are updated regularly to provide you with the best the sewing world has to offer!

For more information about Aurifil products, including thread weights, Designer Collections, and where to purchase from your local quilt shop or select online shops, please visit Aurifil.com.

Pat Sloan’s Mega Fun Book Tour!

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Pat Sloan is truly an industry icon! She has written over 30 books, designed hundreds of quilts, designs fabric collections for Moda, curates thread collections for Aurifil, hosts a weekly podcast for American Patchwork & Quilting, organizes the Aurifil Designer of the Month program, and still manages to travel extensively for her lectures while peppering in fun events like The Splendid Sampler Sew Along and so very much more. She is a tireless crusader for quilting and sewing education and is generally seen as an inspiration to all;). So… we love Pat. Pat is just amazing.

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We couldn’t be more thrilled to be a part of her Mega Fun Book Tour! If you’ve been following along, you’ve likely learned some fun things about Pat, grabbed some new quilting tips, checked out some seriously gorgeous quilts, and read all about her brand new book, Teach Me to Machine Quilt.

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Pat is no stranger to the literary world. Yet with each new release, she somehow manages to share unique, helpful, intriguing and gorgeous content.  We are in awe!

Personal confession time… I’m a beginner quilter. I’ve been sewing for years, but have never actually made a quilt. I’ve made all sorts of other things, including writing simple patterns, but… no quilts. With that said, Teach Me To Machine Quilt speaks directly to me! Reading the intro feels a little like inviting Pat over to my house for a one-on-one lesson (my goodness, wouldn’t that be amazing!) She has amazing tips for quilt top assembly, ideas for quilt backings, easy info on batting and a terrific guide to basting a quilt. All that before even diving into the actual process of quilting! Pat covers everything that a beginner might need to know to make a successful first quilt (or second, third or 100th!)

And yes, I work with (and adore) Aurifil, so I may be a bit biased, but her section on thread weights and selection is absolutely perfect. She walks readers through 4 common thread weights, answers the spool vs. cone question, and gives wonderful suggestions for color selection, thread tension and what thread to use in the bobbin.

Whether you’re a beginner like me, or a seasoned expert, this book is an absolute gem and is sure to be your new go-to. To enter-to-win a copy of Teach Me To Machine Quilt, head on over to Pat’s blog!

THE THREAD (Oh the lovely thread!)
Once you have your copy and you’re ready to dive in, you’ll need some thread to get you started;). Thankfully, Pat also has two new curated collections: Perfect Box of Neutrals in 40wt, a large box of luscious threads that was released in August, and Let’s Go Sew, available in both Large & Small, featuring 50wt threads in colors that coordinate with Pat’s latest fabric collection with Moda, Sunday Drive, but also represents a range of fabulous stash builders. Today, we’re thrilled to share more info about Perfect Box of Neutrals and, of course, share a super fun giveaway!

But first… a few quick questions for Pat about her love of Aurifil!

Since you always ask the Aurifil Designer of the Month, what are your three favorite colors of Aurifil thread?
Oh the tables are turned!!! Of course Red 2260, Aqua 2830, and funky old gold 2920.

Do you have a favorite tip for thread storage?
I like to keep them in a box by color. I have a group of red boxes (of course!) and they hold all my thread.

If you were one spool of Aurifil thread, what would you be?
A CONE of Old Gold 2920!! It’s such a great blender color! Alex should send that to me… wink!

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Perfect Box of Neutrals by Pat Sloan
12 Large Spools, 50wt thread
2390 – 2692 – 2312 – 2340 – 2370 – 2372
2360 – 2600 – 5021 – 5011 – 2610 – 1158

THE GIVEAWAY
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Click here to enter-to-win 1 Large Perfect Box of Neutrals thread collection, or simply click on the image above. You do not have to complete all the options to be entered but the more options you choose, the more entries you have!  Entries will be accepted from now through 11:59pm Eastern Time on Sunday, December 4! Winner will be randomly selected and announced here on Monday, December 5. Good luck!

UPDATE: This giveaway is now closed. Congratulations to Carol Carnes! We can’t wait to send you a thread box:). 

THE MEGA SCHEDULE
November 18
Pat’s Intro Post
— blog.patsloan.com
Bonnie Hunter — quiltville.blogspot.com/
Pam Vieira-McGinnis — pamkittymorning.blogspot.com/
Alyce Blyth — www.blossomheartquilts.com/
Kimberly Einmo — www.kimberlyeinmo.com/blog

November 19
Pat’s Intro Post
— blog.patsloan.com
American Patchwork & Quilting Magazine — www.allpeoplequilt.com/blog
Mathew Boudreaux — misterdomestic.net/
Moda with Carrie Nelson —  blog.modafabrics.com

November 20
Pat’s Intro Post
 blog.patsloan.com
Amy Smart — www.diaryofaquilter.com/
Katja Marek — www.katjasquiltshoppe.com/

November 21 
Pat’s Intro Post
blog.patsloan.com
Lee Monroe — www.maychappell.com/
Jacquelynne Steves —  jacquelynnesteves.com/blog/
Stephanie Palmer — latenightquilter.com/
Mary Abreu — confessionsofacraftaddict.com 

November 22
Pat’s Intro Post
blog.patsloan.com
Sarah Maxwell — www.homesteadhearth.com
Debby Brown — higheredhands.blogspot.com/
Jane Davidson — quiltjane.com/ 
Linda Thielfoldt — lindathielfoldtthequiltedgoose.blogspot.com/
Janet Clare — janetclare.co.uk/blog/
Baby Lock — www.facebook.com/babylocksewing

November 23
Pat’s Intro Post
blog.patsloan.com
Cheryl Brickey — meadowmistdesigns.blogspot.com/
Helen Stubbings — www.hugsnkisses.net
Kimberly Jolly — fatquartershop.blogspot.com/

November 25 
Pat’s Intro Post
blog.patsloan.com
Sherri McConnell — www.aquiltinglife.com/
Julie Karaoke — fabricjules.blogspot.com/
Ebony Love — lovebugstudios.com/blog/
Martingale — blog.shopmartingale.com/

November 26
Pat’s Birthday post
— blog.patsloan.com
Scott Hansen — bluenickelstudios.com/
Victoria Findlay Wolfe — bumblebeansinc.blogspot.com/

November 28
Pat’s Intro Post
blog.patsloan.com
Amy Friend — www.duringquiettime.com
Heather Valentine — thesewingloftblog.com/
Melissa Corry — www.happyquiltingmelissa.com/
Amy Ellis — www.amyscreativeside.com/

November 29
Aurifil — auribuzz.wordpress.com/ (YOU ARE HERE)
Christa Watson — christaquilts.com/
Nancy Zieman — www.nancyzieman.com/blog/
Amanda Niederhauser — www.jedicraftgirl.com/

November 30
Kim Niedzwiecki — www.gogokim.com/
Karen Miller — karensquiltscrowscardinals.blogspot.com/
Wendy Sheppard — ivoryspring.wordpress.com/
Brenda M. Ratliff — www.pinkcastleblog.com/

Top Ten Tuesday {Thanksgiving}

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With Thanksgiving just a little over a week away, we’re feeling particularly thankful for this supportive and creative sewing & quilting community of ours. What are you thankful for this year? Will you be sewing for the holiday? We’ve rounded up a few favorite projects to share. From potholders to placemats, soft books to quilts, there are projects here to suit every need! Have fun!

1. Patchwork Acorn Potholders — Jedi Craft Girl for Thermoweb

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2. Fabric Napkin Bread Warmer — Tried and True

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3. Modern Maples Quilt – Diary of a Quilter

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4. Thanksgiving Quiet Book — How Does She

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5. Thanksgiving Banner — Tell & Love Party

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6. Fall Placemat Tutorial — A Quilting Life

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7. Acorn Pillow — Hey Let’s Make Stuff

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8. Tom Turkey Placemat — Bee in my Bonnet

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9. Fabric Turkey Headband — Rae Gun Ramblings

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10. Homemade Pie — Bee in my Bonnet

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Aurifil 2016 November Designer of the Month Kim Niedzwiecki

I’m Designer, Author, Radio show host Pat Sloan.. Our November Designer is the incredible designer and a good friend of mine,  Kim Niedzwiecki. She write at Go Go Kim

Once you meet Kim, you’ve made a friend for life, you just know it will be that way! I first meet her at a trade show and she came swirling around the corner (as she NEVER goes slow) all bubbly and fun in the most amazing outfit she had sewn. We hit it off and.. well.. i think we chat now every day, you are going to LOVE Kim as much as I do.

Listen to Kim chat with me  on my Talk Show Aug 12, 2013 and learn how she got the name ‘Go Go’!

Let’s get to know Kim!

Continue reading

Meet the 2017 Aurifil Design Team!

Hi I’m Pat Sloan, the host of Aurifil’s Designer of the Month program!  This is going to be an excellent year for sewing along with our AMAZING Designer team! We’ll meet one a month and they have a challenge block for you. Sew the block and You might win a BOX of thread, and NOT the small one.. wink!

Our project this year is a Block of the Month done in the colorwheel. Each designer is assigned a primary color on the wheel and will create a block using that color + white.  I’m really looking forward to working with this super talented group!

Let me introduce you to them!

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Group Photo Back – Alex, Heather Givens, Vanessa Goertzen,  Me, Janet Clare
Front –  Helen Stubbings, Amanda Murphy, Sarah Maxwell,  and Elena
  1. Jan – Blue – Janet Clare www.janetclare.co.uk/home.htm

  2. Feb – Blue-Purple – Maureen Cracknell maureencracknellhandmade.blogspot.com/

  3. Mar – Purple – Melissa Corry www.happyquiltingmelissa.com/

  4. Apr – Red-Purple – Sue Marsh – www.wpcreek.com/

  5. May – Red – Mathew Boudreaux misterdomestic.net/

  6. June – Red-Orange – Sarah Maxwell www.designsbysarahj.com/ and www.homesteadhearth.com/

  7. July – Orange – Shruti Dandekar shrutidandekar.com/

  8. August – Yellow-Orange – Brenda Ratliff www.pinkcastlefabrics.com/ and www.justabitfrayed.com/

  9. Sept – Yellow – Vanessa Goertzen lellaboutique.blogspot.com/

  10. Oct – Yellow-Green – Helen Stubbings www.hugsnkisses.net and www.facebook.com/helenshugsnkisses

  11. Nov – Green – Heather Givans – Crimson Tate www.crimsontate.com/  www.instagram.com/crimsontate  

  12. Dec – Blue-Green Amanda Murphy – blog.amandamurphydesign.com/

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Top –   Maureen Cracknell, Melissa Corry, Mathew Boudreaux

Bottom – Sue Marsh, Shruti Dandekar, and Brenda Ratliff with Alex & Elena

Hosted by – Pat Sloan blog.patsloan.com for  CBDO Alex Veronelli and CEO of Aurifil USA Elena Gregotti.

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Here I am, with Halloween Pony Tails in front of my version of the 2015 Block of the Month. If you followed along you may notice it doesn’t look like 12 mini quilts! I made each mini, or a portion of it, then assembled into one quilt. The fabric is all my mines from Moda!  The quilting is by award winning quilter Shelly Pagliai of Prairemoon Quilts

My quilt is going to do some traveling with Aurifil before it returns home to me.

Each Interview comes out about the 15th of the month. Interested in the FREE Patterns from Prior years, see our PATTERN PAGE.

Quilt Market, Part 2

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We’re back with our last wrap up post from International Quilt Market! One exciting thing about Quilt Market is the opportunity to see all the beautiful booths created by our fellow designers and industry professionals. There is so much hard work that goes into each and every detail, and we’re excited to share some of our favorites with you!

We stopped by the Marcus Fabrics booth to chat with Aurifil designers Sarah Maxwell and Victoria Findlay Wolfe!

This year, thanks to Facebook, we broadcasted live videos right from the exhibit floor! It was a blast getting to interact with the designers while showing off their booths and new projects.

 

The Moda Fabrics booth had quite a super theme this year.😉

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We loved exploring the booths of our Moda Designers and cannot wait for these new fabric collections to come out. Which one is your favorite?

 

Patty Sloniger and Sandra Clemons are two of our new Aurifil designers with Michael Miller Fabrics. Their new collections are bright and beautiful!

 

We stopped off at the Windham Fabrics booth and had such a blast catching up with Aurifil designers Carrie Bloomston, Angela Pingel, and Heather Givans. Heather‘s new fabric line, Literary, brings out the bookworm in all of us!

 

Tammy Silvers has a beautiful new collection and we loved hearing more about it on our Island Batik booth tour. We loved getting the full tour from Elizabeth Phillips, along with the opportunity to check in with fellow Island Batik Designers Barbara Persing of Fourth & Sixth Designs, Audrey and Cheri of Cheri Good Designs and Jackie Kunkel of CV Quilt Works.

 

Our walk through of the Robert Kaufman booth was so much fun! We loved having Elizabeth and Nicole guide us through the booth meeting each of our Aurifil designers.

 

Do you love the Hoffman Challenge? We chatted with Michelle at Hoffman Fabrics about next years amazing fabrics, and of course the coordinating Aurifil thread collection!

There is so much to see at Market, and there never seems to be enough time to catch every little thing. Here are more of our favorite things from around the Quilt Market exhibit floor!

We had an absolute blast and cannot wait to see everyone again next spring in St. Louis, MO!

Introducing Aurifil 80wt

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One of our very favorite things about International Quilt Market in Houston, TX last month was the official launch of our brand new 80wt thread! Yes, you read that right! 100% Cotton 80wt Thread from Aurifil is here!

We’ve seen terrific feedback from shop owners, designers and industry experts and feel strongly that this will be your new go-to for Free Motion Quilting, Machine Embroidery, Free Motion Couching, English Paper Piecing, Hand Appliqué, Machine Appliqué, and more!

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Wound on cherry wood spool bases, the 80wt comes in a total of 88 colors. For access to a pdf color chart, please click on the image below.

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80wtSpools by Carolyn Friedlander

image by Carolyn Friedlander

EXPERIMENTING WITH AURIFIL 80WT
Before launching a brand new thread weight, we wanted to test it out with some of our trusted experts, our Aurifil Designers. We sent samples of the 80wt out to a range of designers to play with the thread, create with it, and send us some feedback. We were thrilled with the responses and loved hearing about all of the new ways these talented creatives were using the thread. Contrary to popular belief, it’s not just for hand work! There are so many other wonderful ways to use this strong, yet fine, thread.

SHEENA NORQUAY:sheenanorquay80wt2

The sample pictured above was prepared by Aurifil Designer and master quilter, Sheena Norquay. She wanted to experiment with the 80wt, to stretch it to the limits and see what it could do. She used Oakshott Cotton fabric and Hobbs Tuscany Wool Batting. We had this piece on display in our Market booth and love that it shows such a wonderful range of techniques for the 80wt.

  • Line 1: Couched acrylic yarn using black 2692 and couching foot no. 21 on Bernina 1090 machine
  • Lines 2, 3, & 13 – 18: Decorative stitches on Bernina 1090 machine.
  • Line 4: Couched acrylic yarn using blue 5007 and couching foot no. 21 on Bernina machine 1008.
  • Lines 5 – 10: Free motion quilted on Bernina 1008
  • Lines 11 -12: Hand quilted
  • Lines 19 -22: Straight stitching and zig zag stitching using walking foot on Bernina Activa 230
  • Lines 23 and 24: Free motion couching using acrylic yarn and black no. 80 thread on Bernina Activa 135
  • Top 80: Free motion quilted on Bernina 1008
  • Centre 80 – hand quilted
  • Bottom 80 – free motion quilted on to layer of wadding and then outlined on Bernina 1008
  • Right hand side – doodling using free motion quilting on Bernina Activa 135.

Sheena’s Wave Bird was free motion couched on a Bernina Activa 135 using Aurifil 80wt in #2725 bright blue.

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by Sheena Norquay

The wave was quilted using the walking foot on a Bernina Activa 230 and the same #2725. The radiating lines were twin needled using the walking foot with both #2725 and #2605 grey. The free motion quilting between the twin needled lines was done with #5007 on a Bernina 1008. Another example example of the range of the 80wt.

80wtslider-sheena

SEW4HOME:
We turned to Sew4Home for additional feedback and they were more than happy to try the 80wt for Machine Embroidery. In their words: “With the super fine Aurifil 80wt, the complexity of the stitches possible in a small area is astounding.”

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We were blown away by the stunning projects that they created, including the Lion Head Machine Embroidered Mini Tote (shown above), the Autumn Leaves Machine Cross Stitch Placemats & Napkins and the Gingham Fruit Machine Appliqué Kitchen Towels (both shown below).

We had a chance to chat with Liz Johnson, Sew4Home editor, while at Quilt Market.

ADDITIONAL FEEDBACK:
“Aurifil’s 80wt is so fine it’s like silk.” – Amy Sinibaldi, Nana Company

“Aurifil’s 80wt is great for hand appliqué!” – Pat Sloan

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“I am beyond excited about your new thread.  It will be the only thread I carry on my website, once I’m able to order it.” – Anne Sutton, Bunny Hill Designs

“I do not do a lot of hand sewing or needle-turned appliqué but this would be my go to thread for light-duty sewing projects where you wanted to hide the stitching.“ – Sharon Holland

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“The 80wt is really nice for machine appliqué. I have always used 50 weight but the 80 weight gave me a much more hand appliquéd look. I was able to use a smaller needle and that meant smaller needle holes as well!” Elizabeth Phillips of Island Batik

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Aurifil 80wt by Anne Sutton    Aurifil Spools by Rita Hodge    Aurifil 80wt by Pat Sloan[click on any of the 3 images above to view designer posts about Aurifil 80wt thread]

WHERE TO FIND IT:
Aurifil’s brand new 80wt thread will be available at your local quilt shop starting in December. We are just starting to ship out displays and stock. There are a few locations that did receive the thread early as a part of our market research, so you may wish to take a peek at Fat Quarter Shop & Sew Inspired.

What excites you most about the 80wt? What would you plan to make? We can’t wait to see what you do!