QuiltCon 2017 — Savannah, GA

We’re just getting back and settled in from a spectacular five days in beautiful, historic, and fascinating Savannah, Georgia.  There is a certain perceived expectation when you think of “The South”, particularly when you think of Savannah.  Nothing about this city disappointed me. Not even the weather- especially because I arrived the day after it stopped raining. What luck!

Savannah is the oldest city in Georgia and one of the only surviving cities left after the Civil War.  Some of the houses date back to the 1700s, which is pretty incredible.

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Just imagine the quilts that were made inside those walls!  That certainly brings a whole new level of appreciation for Civil War reproduction fabrics, don’t you think?

Savannah is a very picturesque city, full of manicured lawns, immaculately kept homes and ornate details everywhere you look.  Just walking a few blocks to breakfast took us nearly an hour because we kept stopping to admire the view, take pictures or read the plaques of the various fountains and statues in the squares.

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The Savannah River divides the city from the World Trade Center, where QuiltCon 2017 was held.  There was only one hotel on that side, and if you weren’t staying in it, you had to travel across the river via ferry.  On the first night, the ferry was packed full of quilters and only a few locals.  I doubt they had ever seen so many handmade bags and quilt related t-shirts in one place before!

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We had a great time playing a game with our QuiltCon guests.  The idea was to see who, amongst the three players, could put a puzzle together the fastest.  The fastest got to take home a large spool of thread of their choice; the remaining two took home a small spool of their choice.  Everyone was a winner!

All players were challenged to beat the ‘best time’, which kept getting faster and faster throughout the event. On Sunday morning, we had our fastest participant EVER, not just for QuiltCon. Karen Brown completed the Aurifil Spool puzzle in just 2 minutes & 36 seconds. We were all in awe! Congratulations again to Karen, who is now the excited recipient of a Tula Pink Ultimate Collection — 45 small spools of lucious and colorful thread!

To help celebrate 270 Colors, the incredible quilt by Sheri Cifaldi-Morrill of Whole Circle Studio, we hosted an ongoing social media contest.  Participants had to take a “Selfie” in front of the quilt and post it to Instagram using the hashtag “#270ColorsGiveaway“.  We had over 190 entries and our winners were:

We did also share a daily at-home giveaway so that no one would be excluded!! Thank you again to all who played along!

270 Colors by Sheri Cifaldi-Morrill

Even though we weren’t able to sell our thread in our booth, there was still plenty to be found throughout the show including the booths for: Craft South, Crimson Tate, Andover, Victoria Findlay Wolfe, Marcus FabricsRiley Blake, and more!!

We also loved having a chance to visit with some of our amazing fabric partners. Many of them had interactive booths, giving visitors a chance to design quilt blocks, collect supplies to work on collaborative quilting projects, and more!

Of course, one of my favorite aspects of community events like this, is all of the quilts.  I’m amazed at the diversity on display.  Just when I think I’ve seen it all, when I’ve defined my own personal style, I turn a corner and see something that changes my whole perspective, something that makes me stop and think and admire.  Below are some of my favorites from this year’s show.

And of course, Best In Show, “Bling” by Katherine Jones:

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I’m pretty sure she said it took her over 160 hours to complete the quilt top.  It is ENTIRELY paper-pieced!  Can you imagine??

All-in-all, a great time was had by all.  People left feeling inspired, satisfied, knowledgable.  I think those are the best things to come away with.  And, even though it’s maybe a little sad to leave and go back home to reality, the memories live on and we get to look forward to the next time we can fill our minds with new techniques and skills. We get to fill our hearts with the fun times had with friends that we may have only previous known online.  That’s the beauty of it, really.

Until next time!

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— Kristi, Bradley, Erin, and Alex

The Quilts of Savannah QuiltCon 2017: Piecing Category

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This past weekend, Aurifil traveled to Savannah, the oldest city in Georgia, for QuiltCon, the largest modern quilting show of its kind, presented by the Modern Quilt Guild. We were there to help celebrate 42 remarkable modern quilters with unique and colorful entries in the Piecing Category, a category we’ve proudly sponsored for the last several years.  Personal taste in fabric, color, and design style allows this category to stay completely varied and different.

Alex Veronelli with the First Place Quilt (see below for more info)

Alex Veronelli with the First Place Quilt (see below for more info)

I took photos of every quilt in the category and put together a slideshow to illustrate just how interpretive piecing can be:

The Aurifil Sponsored Piecing Category Winners 

First Place: Marilyn Farquhard, “Ode de Yoshiko”img_2171

Second Place: Miriam Coffey, “Finding the One”

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Third Place: Elaine Poplin, “Vertigo”

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And, my personal favorite: Sarah Sharp, “Folksy Fish”img_2341

After looking at the sheer number of seams in some of these quilts, especially “Folksy Fish”, you can see how important your choice of thread is!  Aurifil 50wt thread is perfect for piecing because it is thin enough to reduce bulky seams (ensuring a more flat quilt top), yet strong enough to ensure that your stitches will stay together.  Even if it’s not an heirloom piece, it will last like it is.

Aurifil would like to congratulate all the entrants in this year’s QuiltCon quilt show! We are so inspired by the work that you do!

To find out more about our different thread weights and how they should be used, please visit our website.


Stay tuned for a full recap of our QuiltCon experience on Monday, March 6! We had so much fun and can’t wait to share it all!

270 Colors Quilt: From Start to Finish

We first met Sheri Cifaldi-Morrill of Whole Circle Studio in the Spring of last year, just after Quilt Market. Hilary Jordan (our social media coordinator) and I spotted a fabulous mini quilt that she’d made featuring none other than Aurifil’s iconic 50wt spools on Instagram. With a rainbow of colors against a stark white background, the mini was striking and it’s no surprise that it caught our attention.

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Sheri’s original mini quilt, So Many Colors, April 2016.

Sheri and Hilary connected on Instagram, which led to an email exchange with me.  We learned that Sheri designed the “So Many Colors” mini quilt as a donation to the Quilt Alliance annual fundraiser in early 2016. The theme was “Playing Favorites” and the mini quilt incorporated her favorite brand of thread, Aurifil, using one of her favorite piecing techniques—foundation paper piecing.

Initially, we weren’t quite sure how we were going to work together, but we knew we wanted to do something fun and impactful in honor of Aurifil’s upcoming 10th Anniversary. After a series of conversations, a whole bunch of exchanged emails and some internal planning, a decision was made. We have absolutely LOVED working with Sheri over the past 8 months. She is creative, thoughtful, incredibly professional, and we couldn’t be happier with the quilt that she created.

We’re thrilled, today, to introduce Sheri to you and to let her debut her quilt in her own words, with a series of stunning process photos to give you all a closer look at how this fabulous masterpiece came together. Thank you Sheri!!


I am so excited to share the process of creating the 270 Colors quilt I created for Aurifil to commemorate and celebrate their tenth anniversary this year. The quilt features all 270 current colors of Aurifil’s 50wt thread!

After playing with different layouts in Adobe Illustrator and then presenting them to the Aurifil team, we decided to proceed with the layout shown below. The placement of colors mimics the arrangement of how the spools are displayed when the drawers are pulled out in the Full Selection Collection Box.

wholecirclestudio_270colors_01_initialdesignI started drafting the pattern and testing while I was waiting for materials from AurifilRobert Kaufman, and The Warm Company to arrive. It was important to me for the spools to be shown at actual size and proportions once all of the pieces were sewn together. Measuring, making diagrams, and sewing prototypes (and then re-testing) helped achieve this.

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Organization was key while making this quilt! I needed to match all 270 colors of thread to corresponding Robert Kaufman Kona® Solids. As soon as the big, beautiful box of Aurifil thread arrived in my studio, I created a spreadsheet in Excel. The color numbers in the spreadsheet are arranged in the same configuration as the thread is in the drawers. Having this tool allowed me to mix and match the thread to the fabric but still be able to return it to its correct location in the box.

Once I was organized, it was time to get down to business — cutting and piecing! Even the scraps were beautiful.

After a very busy month of piecing, I moved on to basting. I used Warm and Natural batting from The Warm Company and LOTS of pins. I tend to use a lot of pins. The process of basting can be tough of my fingers, but using so many pins ensures that all of the layers remain smooth. I rarely have puckers or shifting while quilting.

The piecing and quilting was done on my Juki 2010, with Aurifil 50wt. I used my walking foot to quilt the orange spools (color: 1104) and the background (color: 2024). I free motion quilted the “thread” portions of all 270 using the cross wound pattern found on the actual Aurifil spools as inspiration. Instead of marking, I positioned pins as a guide for each spool. The spreadsheet I had set up also helped me keep on track while quilting. I highlighted each number as it was quilted. It also helped to create some test strips so I could practice my free motion quilting before digging in.

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Check out this video clip demonstrating the free motion quilting process:

After a month of quilting, I was in the home stretch. It was down to burying threads, squaring up the quilt, binding, and sewing on a sleeve.

The final quilt measures approximately 70″ x 85″. The spools are the actual size of a large 50wt Aurifil spool and are spaced 2″ apart. The quilt is finished with a binding that matches Aurifil’s iconic orange spool (using Robert Kaufman Kona® Tangerine) and the back matches the blue in Aurifil’s logo (Kona® Water).

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Happy 10th Anniversary Aurifil USA! I am honored to have had the opportunity to design and produce this quilt to help you commemorate this big milestone.

Be sure to check out the quilt as it travels to QuiltCon, 2017 Quilt Markets and with Alex when he visits a local quilt shop near you.

— Sheri Cifaldi-Morrill
www.wholecirclestudio.com


Find Sheri Online
WebsiteBlogFacebookInstagramPinterestTwitter

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photo courtesy of Craftsy

Sheri Cifaldi-Morrill is a designer, maker and self-taught modern quilter. Sheri graduated from the University of Connecticut with a BFA in Graphic Design. She has twenty years of experience leading creative teams to create award winning identities, products and environments. She has worked in small design studios, a dot com and the exhibit department at a children’s museum.

Sheri’s quilts have gained national recognition including awards from QuiltCon, Quilt Week/Paducah and the Quilt Alliance. They have been featured at art centers and galleries across the country. In addition to publishing her patterns, her quilts have been featured in national publications such as Modern Patchwork. She also teaches quilting techniques.

Sheri was awarded the first annual Craftsy Quilt Designer Fellowship in 2016. This fellowship enabled her to debut Whole Circle Studio’s first booth at International Quilt Market in Houston, Texas in October 2016.

Sheri works from her home studio in the suburbs of New Haven, Connecticut—a hop, skip and jump away from New York City. She loves to chat about design and quilts. Contact her at sheri@wholecirclestudio.com.

[Images, biography & guest post text courtesy of Sheri Cifaldi-Morrill]

Showcase Sunday {2.12}

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Welcome back to Showcase Sunday! We are already so inspired by all of the new things you’ve been creating so far this year! We love having a forum to showcase the beautiful work that all of you do and can’t get enough of the lovely things that you’re making, so keep tagging us and sharing your work and we’ll feature some of our favorites here every other Sunday. Don’t forget to check in on Facebook & Instagram to see more! Happy Stitching:).

(Click on any image below to visit the artist’s Instagram account for more!)

@zenchicmoda

@zenchicmoda

@yardgrl60

@yardgrl60

@the_tattooed_quilter

@the_tattooed_quilter

@thatcraftaddict

@thatcraftaddict

@sls_fabricshop

@sls_fabricshop

@quiltyhabit

@quiltyhabit

@quiltingjetgirl

@quiltingjetgirl

@quiltbystarlight

@quiltbystarlight

@quiltachusetts

@quiltachusetts

@purlverde

@purlverde

@nq1yearofstitches

@nq1yearofstitches

@mybearpaw

@mybearpaw

@mrssophie2

@mrssophie2

@kareepickett

@kareepickett

@julieschloemer

@julieschloemer

@ivory_spring

@ivory_spring

@itssewscottsdale

@itssewscottsdale

@freebirdquiltingdesigns

@freebirdquiltingdesigns

@colorgirlquilts

@colorgirlquilts

@ablossomedchaos

@ablossomedchaos

Find free patterns, tips, tutorials, and inspiration by following Aurifil on PinterestFacebook, and Instagram. All are updated regularly to provide you with the best the sewing world has to offer!

For more information about Aurifil products, including thread weights, Designer Collections, and where to purchase from your local quilt shop or select online shops, please visit Aurifil.com.

Showcase Sunday {1.29}

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It’s our first  Showcase Sunday of the New Year, so welcome back! We are so looking forward to a creative and inspiring 2017. We love having a forum to showcase the beautiful work that all of you do and can’t get enough of the lovely things that you’re making, so keep tagging us and sharing your work and we’ll feature some of our favorites here every other Sunday. Don’t forget to check in on Facebook & Instagram to see more! Happy Stitching:).

(Click on any image below to visit the artist’s Instagram account for more!)

@quilterpatsloan

@quilterpatsloan

@purlverde

@purlverde

@madbirdtextiles

@madbirdtextiles

@carolasmussen

@carolasmussen

@redbirdquiltco

@redbirdquiltco

@_beckyo_

@_beckyo_

@pieladyquilts

@pieladyquilts

@misterdomestic

@misterdomestic

@purlverde

@purlverde

@yardgrl60

@yardgrl60

@luellabella

@luellabella

@marymenzerdesigns

@marymenzerdesigns

@amandamurphydesign

@amandamurphydesign

@campbell_soup_diary

@campbell_soup_diary

@white-hills-quilts

@white-hills-quilts

@quiltyhabit

@quiltyhabit

@quiltingjetgirl

@quiltingjetgirl

@ebmakery

@ebmakery

@colorgirlquilts

@colorgirlquilts

@taunjalynn

@taunjalynn

@freebirdquiltingdesigns

@freebirdquiltingdesigns

@ladykquilts

@ladykquilts

Find free patterns, tips, tutorials, and inspiration by following Aurifil on PinterestFacebook, and Instagram. All are updated regularly to provide you with the best the sewing world has to offer!

For more information about Aurifil products, including thread weights, Designer Collections, and where to purchase from your local quilt shop or select online shops, please visit Aurifil.com.

Deep Gems by Paula Nadelstern

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Paula Nadelstern‘s Deep Gems collection for Aurifil was prepared as a representation of the vibrant and rich colors typically present within her kaleidoscopic fabric designs. Oranges, reds and pink offset the cool blue and green tones, creating a truly fantastic range. Though these colors work particularly well in partner with Paula’s unique quilting style, they would also be the perfect complement to a variety of quilt projects. The collection features 12 unique colors of the highly versatile 50wt thread.

THREAD COLLECTION DETAILS
Deep Gems
12 Large Spools, 50 wt, 1422yds/each
2145 – 2150 – 2270 – 2260 – 4020 – 2545
5022 – 1147 – 2870 – 2810 – 2735 – 1200

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To view this info on our website, click the image above. For purchasing, please contact your local Aurifil Dealer.

THE INTERVIEW
Can you tell us a bit about yourself and how you first got started in the world of quilting and textiles?
I’m a New Yorker wrapped up in the fabric of city life. In fact, I make my quilts on the same block in the Bronx where I grew up. I settled into full time quilt making by way of the playground park bench. That’s where moms on hiatus from previous lives (I was an Occupational Therapist) hang out and share ideas—like organizing total non-sewists and quilt novices into making a raffle quilt for the local cooperative nursery school, the same one I’d gone to as a toddler. One good group quilt led to another and another. By the time I gave up my place on that bench to the next generation of moms, I had the expertise and repertoire for a comprehensive book on group quilts (Quilting Together, Crown Publishers 1988) and was stitching my way toward a new career. And to this day, over 40 years later, the Nursery moms make an annual raffle quilt.

Who or what has been your greatest creative inspiration?
My interest in things kaleidoscopic began in 1987 when I was struck by a bolt of fabric–a sumptuous, sinfully-expensive, bilaterally symmetrical Liberty of London cotton. Little did I know that purchasing a quarter yard would change my life forever, leading me three years and four quilts later to purchase my first actual state-of-the-art kaleidoscope and join the Brewster Kaleidoscope Society, The BKS is a society of artists who design and create kaleidoscopes, galleries and shops who sell kaleidoscopes and collectors and museums who appreciate and enjoy them.

The amazing first bolt of Liberty of London fabric

The amazing first bolt of Liberty of London fabric

The insight from this anecdote is obvious: buy that piece of fabric no matter how expensive it is. As I peer through the many incredible kaleidoscopes I have garnered over the years, like a sleuth searching for clues, I discover my design inspiration all over again. Who knows what the next turn of the scope will reveal to me or to you?

With hindsight I’ve realized that another factor played strongly in the development of my personal design and technique strategies. Historians have suggested that the block-style method of making quilts evolved in response to the cramped quarters of early American life. My family’s living arrangements in an urban environment created similar considerations that, unwittingly, I resolved in much the same way.

When I started making kaleidoscope quilts, my workspace in our two-bedroom apartment was the forty-inch round kitchen table. (I’m the only person I know who taught her family to eat in front of the TV). I think the reality of limited space helped shape my idiosyncratic style. Instead of the traditional square-shaped-block, my block-style method is based on a triangle because a kaleidoscope is a circular design composed of identical triangular wedges that radiate from a center point. Throughout the design stage, I’m working on a single full-size triangle that is drafted on graph paper and patched from fabric using templates. Whatever I do to one triangle, I simultaneously do to all 6 or 8 or 16. I don’t see the final gestalt until the last seam is sewn.

Do you remember the process of creating your first quilt and how you felt once it was finished?
Lots of teachers on the circuit will tell you about the important female in their early lives who taught them to how to sew, insisting (kindly or not) that all imperfection be repaired. I grew up with a mom who prided herself on not being “fussy”, mended a lot (a habit left over from the Depression) and generously appraised every attempt of mine as either great or good enough. I am not complaining. When, as a young teen, I borrowed her much revered but temperamental second-hand, brand-name sewing machine, the bobbin would jam within minutes. Although this led me to suspect I wasn’t very good at sewing, I returned to it again and again because there is something optimistic about a palette of colorful, tactile fabric.

My matriarchal aunt’s gift to sixteen-year-old me of a steadfast Singer Featherweight©, purchased for $25 at a yard sale and fitted with a single hole throat plate, changed all that. (I used to call it an old machine until I learned it was a year younger than I am.) Together we made my first quilt (a comforter cover really) in 1968 in my college dorm, ripping up my old clothes into 10” squares and sewing them together. I was exceptionally proud of it and so was my mom. Today I work in a 15-by-10-foot studio revamped from my daughter’s former bedroom. Picture ceiling high cupboards stuffed with fabric, drawers overflowing with the paraphernalia quilters collect, 6 feet of design wall, and a Bernina poised for action on a 4-by-6-foot counter.

Paula's prized first quilt

Paula’s prized first quilt

Your book, Fabracadabra, was just released with C&T Publishing. Can you tell us a bit about that process and what you loved most about it?
I’ve been told that I write books pretty much the same way that I make quilts. Fabric by fabric. Choice by choice. In a word, slowly.

The truth is, I’d rather be working on a quilt than writing about it. But it’s not until you write about something that you understand it really well. Breaking down your own creative act, first by identifying your personal strategies, and then by dividing them into a sequence of steps, forces you to reflect on what things aren’t as well as what they are. This exploration steers you in lots of valuable directions. It leads you to the vocabulary needed to articulate your private visual language. It helps you recognize the kinds of mistakes students are likely to make and head them off in class. And sometimes, when you are very lucky, it awakens new ideas, pushing you, the artist, further along your creative path.

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The book demonstrates how quilts made of simple shapes can be transformed into complex-looking quilts that are easy to piece using gorgeous, intricate fabric. Some, but not all, of the quilts are traditional patterns, gift-wrapped with charismatic fabrics.

Do you have a favorite project from the book?
One of my favorite quilts from my new book FABRICADABRA, Simple Quilts, Complex Fabric is the quilt called An Agreement of Butterflies.

I was waiting to give my lecture to the Prairie Quilt Guild in Wichita, KS when a traditional butterfly quilt held up during Show & Tell captured my attention. In a flash, I recognized a kindred pattern capable of showcasing a gazillion symmetrical prints all at once. Choosing the fabrics bewitched me into a flow state, the name for those glorious moments when you’re so energized by the task at hand that time seems immaterial. I made many more 5” x 5” squares than needed.

Closeup of An Agreement of Butterflies by Paula Nadelstern

Closeup of An Agreement of Butterflies by Paula Nadelstern

The collective nouns for various groups of animals and birds amuse me. A shrewdness of apes. A murder of crows. I assumed there’d be one for butterflies but when I couldn’t find it, I made one up. Assembled from forty-nine different fabrics (plus a common butterfly belly and black background equals fifty-one) from my first thirteen fabric collections for Benartex, these diverse colors and prints seem to be in accord — that’s why I called it An Agreement of Butterflies. So, color me speechless when a second internet search, six months after the first one, revealed labels for a multitude of butterflies. A rabble of butterflies. A flutter of butterflies. An equally appealing quilt title, a rainbow of butterflies. But the perfect coincidence, the goose bump laden karmic moment was the phrase: a kaleidoscope of butterflies. It must be true, I Googled it.

An Agreement of Butterflies by Paula Nadelstern

An Agreement of Butterflies by Paula Nadelstern

In your work, you herald the kaleidoscope, a word you say promises ‘surprise and magic, change and chance’. How has this informed your quilting style?
For almost forty years, the kaleidoscope has not only been my design inspiration, it’s also been my classroom. Analyzing not only what a scope is but also what it isn’t has steered me in lots of valuable directions, including toward the fundamental principles of design. I’ve learned to manipulate physical properties like focal point, rhythm and line to inject a feeling of motion into an otherwise static image. But it is the unique qualities synonymous with the kaleidoscope personality that I’m always trying to get to know better. Surprise. Magic. Change. Chance. I’ve learned that to conjure an instant of luminous and fleeting spontaneity, I’ve got to trust in symmetry, rely on detail, commit both random and staged acts of color and understand that the whole will always be greater than the sum of its parts. No matter what my quilts look like in the future, this personal design vocabulary, gleaned through the eyepiece of a kaleidoscope, will take the journey with me.

When did you first discover Aurifil threads and what do you love most about them? Do you have a favorite color/weight?
I’ve been using Aurifil 50 weight for years for piecing. My larger quilts can end up with thousands of seams. I like that I can rely on the combination of delicacy with strength because it helps keep the multitude of seams thin and not bulky.

I’ve used Aurifil 12 in many of the beautiful colors for embroidery and for a big stitch echoing a hand quilting stitch.

Paula at 2013 Quilt Market in Houston

Paula at 2013 Quilt Market in Houston

KALEIDOSCOPIC XXXVIII: Millifiori, 82“x 82“, is my first quilt using only fabric from collections I’ve designed for Benartex and the first one quilted by me on a long arm machine courtesy of APQS. In 2013, I spent Houston Quilt Market in the APQS booth, quilting this extremely patterned piece, mentored by the delightful, generous staff. I think the choice of an olive Aurifil thread was brilliant. I’m fascinated by the effect, the impression that the thread changes colors, chameleon-like, against the multitude of hues in the quilt: golden, green, dark, light.

KALEIDOSCOPIC XXXVIII: Millifiori, 82“x 82“, Paula Nadelstern (2013)

KALEIDOSCOPIC XXXVIII: Millifiori, 82“x 82“, Paula Nadelstern (2013)

How did you go about selecting threads for your Aurifil collection and what excites you most about the range that you are presenting?
My intent when selecting the colors for my Aurifil collection was like my goal when I design fabric for Benartex. I want to offer beautiful stuff that can be used in a myriad of ways for anyone’s piecing adventure, not just to be used to make kaleidoscopic designs. I welcome color and motif inspiration whenever I’m lucky enough to notice it: an elevator door, a set of Italian dishes, a painting at the Met, the arabesque patterns in the Sheikh Zayed Grand Mosque on a teaching trip to Abu Dhabi.

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These charismatic and luminous jewel tones tickle my imagination. In fact, I plan to use DEEP GEMS as the inspiration for one of the colorways in my next fabric collection. I can’t wait to see what happens.

THE GIVEAWAY

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To enter-to-win 1 Large Deep Gems by Paula Nadelstern for Aurifil Thread Collection + 1 copy of Fabracadabra by Paula Nadelstern for C& T Publishing and 2 bundles of Kismet by Paula Nadelstern for Benartex , click here to head to the Rafflecopter entry page, or simply click on the image above. You do not have to complete all the options to be entered but the more options you choose, the more entries you have!  Entries will be accepted from now through 11:59pm Eastern Time on Wednesday, December 14! Winner will be randomly selected and announced here on Thursday, December 15. Good luck!

Update: This giveaway is now closed. Congratulations to our winner, Niraja Lorenz!

ABOUT PAULA
paula-profilePaula’s quilts have achieved international recognition for the innovative and complex designs inspired by the bilateral symmetry of kaleidoscopic images. Honored by inclusion in the Twentieth Century’s 100 Best American Quilts, her designs have inspired products including the vast carpet in the Hilton Americas hotel in Houston, TX and were showcased in the American Folk Art Museum’s first one person exhibition highlighting the work of a contemporary quilt artist (2009). In addition to numerous awards, Paula was a recipient of fellowships from the New York Foundation for the Arts and The Bronx Council on the Arts. She is the author of FABRACADABRA, Simple Quilts, Complex Fabric, Kaleidoscopes & Quilts, Snowflakes & Quilts, Puzzle Quilts: Simple Blocks, Complex Fabric, Paula Nadelstern’s Kaleidoscope Quilts: An Artist’s Journey Continues, and Kaleidoscope Quilts: The Workbook. She designs textile prints exclusively for Benartex, Inc. and lives in New York City with her husband, Eric. her daughter, Ariel, lives a block away. 

Learn more about Paula on her website — http://paulanadelstern.com/

Showcase Sunday {12.4}

showcasesunday12-4

It’s been a long time since we’ve posted a  Showcase Sunday, so welcome back! We love having a forum to showcase the beautiful work that all of you do!  We can’t get enough of the lovely things that you’re making, so keep tagging us and sharing your work and we’ll feature some of our favorites here every other Sunday. Don’t forget to check in on Facebook & Instagram to see more! Happy Stitching:).

(Click on any image below to visit the artist’s Instagram account for more!)

@charmaboutyou

@charmaboutyou

@josewshandmade

@josewshandmade

@iamlunasol

@iamlunasol

@skinnymalinkyquilts

@skinnymalinkyquilts

@quiltyhabit

@quiltyhabit

@nightquilter

@nightquilter

@mybearpaw

@mybearpaw

@gardenvarietycookie

@gardenvarietycookie

@lappelises_quiltestue

@lappelises_quiltestue

@lesliepeterson5

@lesliepeterson5

@pieladyquilts

@pieladyquilts

@bigstitchquilting

@bigstitchquilting

@ml_wilkie

@ml_wilkie

@chelsierosner

@chelsierosner

@misterdomestic

@misterdomestic

@mrssophie2

@mrssophie2

Find free patterns, tips, tutorials and inspiration by following Aurifil on PinterestFacebook, and Instagram. All are updated regularly to provide you with the best the sewing world has to offer!

For more information about Aurifil products, including thread weights, Designer Collections, and where to purchase from your local quilt shop or select online shops, please visit Aurifil.com.

Showcase Sunday {9.11}

showcasesunday9-11

Welcome back to Showcase Sunday, our forum to showcase the beautiful work that all of you do!  We can’t get enough of the beautiful things that you’re making, so keep tagging us and sharing your work and we’ll feature some of our favorites here every other Sunday. Don’t forget to check in on Facebook & Instagram to see more! Happy Stitching:).

(Click on any image below to visit the artist’s Instagram account for more!)

@ivory_spring

@ivory_spring

@colorgirlquilts

@colorgirlquilts

@sewbespokeandco

@sewbespokeandco

@freebirdquiltingdesigns

@freebirdquiltingdesigns

@richyjr16

@richyjr16

@ladykquilts

@ladykquilts

@jennrossotti

@jennrossotti

@kidgiddy

@kidgiddy

@iamlunasol

@iamlunasol

@janequiltsslowly

@janequiltsslowly

@quiltyhabit

@quiltyhabit

@beccibee

@beccibee

@jleblanc1951

@jleblanc1951

@mybearpaw

@mybearpaw

@stephskardal

@stephskardal

@yardgrl60

@yardgrl60

@mmphsbelle_quilts

@mmphsbelle_quilts

@allie-and-me-design

@allie-and-me-design

@jeliquilts

@jeliquilts

@laurensewcycle

@laurensewcycle

Showcase Sunday {8.28}

SHOWCASESUNDAY8.28

Welcome back to Showcase Sunday, our forum to showcase the beautiful work that all of you do!  We can’t get enough of the beautiful things that you’re making, so keep tagging us and sharing your work and we’ll feature some of our favorites here every other Sunday. Don’t forget to check in on Facebook & Instagram to see more! Happy Stitching:).

(Click on any image below to visit the artist’s Instagram account for more!)

@charmaboutyou

@charmaboutyou

@laurelpoppyandpine

@laurelpoppyandpine

@modernmakersretreat

@modernmakersretreat

@faithessenburg

@faithessenburg

@littlejennawren

@littlejennawren

@ivory_spring

@ivory_spring

@nightquilter & @duringquiettime

@nightquilter & @duringquiettime

@molliejohanson

@molliejohanson

@t.s.westy

@t.s.westy

@_beckyo_

@_beckyo_

@marymenzerdesigns

@marymenzerdesigns

@jennynaultmeeker

@jennynaultmeeker

@laundrybasketquilts

@laundrybasketquilts

@wtodd141

@wtodd141

@mariarosarianolabonaccorsi

@mariarosarianolabonaccorsi

@campbell_soup_diary

@campbell_soup_diary

@meadowmistdesigns

@meadowmistdesigns

@katespain

@katespain

@quiltyhabit

@quiltyhabit

 

 

 

Showcase Sunday {8.14}

SHOWCASESUNDAY

Welcome back to Showcase Sunday, our forum to showcase the beautiful work that all of you do!  We can’t get enough of the beautiful things that you’re making, so keep tagging us and sharing your work and we’ll feature some of our favorites here every other Sunday. Don’t forget to check in on Facebook & Instagram to see more! Happy Stitching:).

(Click on any image below to visit the artist’s Instagram account for more!)

@colorgirlquilts

@colorgirlquilts

@sarahedgarprettyfabrics

@sarahedgarprettyfabrics

@duringquiettime

@duringquiettime

@kimmiekaren

@kimmiekaren

@richyjr16

@richyjr16

@jennrossotti

@jennrossotti

@aquilterstable

@aquilterstable

@a_swede_life

@a_swede_life

@mrssophie2

@mrssophie2

@sewbespokeandco

@sewbespokeandco

@mommy2lu

@mommy2lu

@sariditty

@sariditty

@thequiltyarn

@thequiltyarn

@mybearpaw

@mybearpaw

@misterdomestic

@misterdomestic

@snippets101

@snippets101

@suerasmussenquilts

@suerasmussenquilts

@piecefullife

@piecefullife

@ivory_spring

@ivory_spring

@redbirdquiltco

@redbirdquiltco

@jolene_is_a_longarm_quiltr

@jolene_is_a_longarm_quiltr

@shrutinow

@shrutinow

@punkinpatterns

@punkinpatterns

@makemakemakeymake

@makemakemakeymake