Island Batik Week: Fresh Catch by Jackie Kunkel

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Here we are at the final day of Island Batik week. What a joy it has been to not only present these stunning collections but also to learn more about the amazing women who designed them. We’re feeling incredibly inspired and are so looking forward to seeing what you all create with this gorgeous palettes. What is on your batik to-sew list?

As a recap, we featured one Island Batik designer each day this week to showcase new fabric & coordinating Aurifil collections. Each post offers a fabric + thread giveaway so make sure to visit all posts to learn more about our talented designers to enter-to-win some gorgeous prizes!

ISLAND BATIK WEEK SCHEDULE 
1/10 – Coastal Mist by Tammy Silvers 
1/11 – Glowing Embers by Cheri Good Designs
1/12 – Dotalicious by Claudia Pfeil
1/13 – Surf and Sand by Fourth and Sixth Designs
1/14 – Fresh Catch by Jackie Kunkel (YOU ARE HERE!)

To learn about Island Batik and the batik process, please visit their website. For a peek at the full range of Fall/Winter 2016 releases, in-stores now, click here or on the image below to browse the catalog. To check in on Island Batik’s news, please visit their blog.

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The Fresh Catch collection by Kathy Engle for Jackie Kunkel is a rich display of oranges, greens, and browns that remind us of a brilliant day of fishing in the NorthEast! Her coordinating Aurifil collection features twelve large spools of 50wt thread that compliment each other perfectly and serve to highlight the rich hues that are so typical of batik fabrics.

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THREAD COLLECTION DETAILS
Fresh Catch
12 Large Spools, 40wt (1422yds/spool), 100% Aurifil Cotton
1147 – 2145 – 2155 – 2235 – 2310 – 2318
2390 – 2887 – 4150 – 4653 – 5009 – 5015

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To view this info on our website, click the images above. For purchasing, please contact your local Aurifil Dealer.

THE INTERVIEW
How did you first get started in the world of sewing and quilting?
I actually began sewing in 6 grade Home Economics class back in the early 70s.  I sewed mainly garments, but did make my first patchwork pillow that I still have.  I was also very crafty and loved embroidery.  If I had a pair of jeans or a jean jacket it was like a blank canvas to me… it got embroidered.  But I really didn’t pick up sewing again until I was pregnant with my first child in early 1993.  I took out the sewing machine and began making baby clothes.  Then my hubby prompted me to “get a hobby” so I took a quilting class and it was history!

Link Em Up by Jackie Kunkel

Link Em Up by Jackie Kunkel

Who has been the most inspiring person within your creative career?
Now that is a tough question as there are so many people that I can name and for so many different reasons.  But I guess if I had to pick one it would be Judy Niemeyer.  I have followed her career since the late 90s and then went on to become one of her Certified Instructors.  I love teaching her techniques and patterns all over the country.

Scattered by Jackie Kunkel

Scattered by Jackie Kunkel

Do you remember the first quilt that you ever made and how you felt once it was complete?
Yes I do!  I made a Quilt In A Day – Star Log Cabin by Eleanor Burns.  It changed my life and thinking about quilting.  I thought it was revolutionary, the whole strip piecing, rotary cutting thing.  I was thrilled when I completed it from start to finish!  But I no longer have it, I gave it to my best friend.  It was made of blues and pinks in calico fabrics.  She graced her dining room table with it as it was a table topper.

What inspired you to open up your quilt shop, Canton Village Quilt Works, and what do you love most about being a small shop owner?
Truth be told, I am online only.  I never had a brick and mortar shop.  But I intentionally did online only as doing it this was allowed me to continue to design patterns and travel teaching.  But the inspiration was… of course… FABRIC!!! We quilters love fabric and have to have it.  I specialized in just a few different kinds and that was it.  Batiks were the biggest part of my inventory, then solids, Kaffe Fassett, and black and white fabrics.  So in answer to your question as to what I love most…. it was the fabric and being online gave me different freedoms than owning a physical shop.  It was a win, win for me!  Love every moment.

Asterisk by Jackie Kunkel

Asterisk by Jackie Kunkel

You recently moved from CT to AZ — how did that affect your business and have you found new inspiration with your new surroundings?
As far as the teaching and designing part, it hasn’t really affected it at all.  But the online part has downsized a bit.

What does being a Judy Niemeyer Certified Instructor mean to you and your business?
To me it means everything.  I admire Judy as a designer, business woman, and a person.  I have learned many things from her and continue to…. being a Certified Instructor and Certified Shop enhances my career and my business.

A Walk in the Woods by Jackie Kunkel

A Walk in the Woods by Jackie Kunkel

What is your favorite quilting technique and why?
I would have to say that I love to paper piece and have designed a few paper piecing patterns myself.  In fact one in the collection that we are giving away is paper pieced, Spinning Wheels.  I love it for the accuracy in the results that it gives.  Also, it allows you to piece designs that you might not be able to do with traditional piecing methods.  A close second is curved piecing.

Spinning Wheels by Jackie Kunkel

Spinning Wheels by Jackie Kunkel

How did you first get involved with Island Batik?
Well….. I have been using Island Batik fabrics for quite a while, but my first “official” design for Island Batik was launched 2015.  It was my pattern “Who’s Got The Button?”.  After that Island Batik and I met at Fall Quilt Market 2015 and they asked if I would like to come aboard as a designer.  The timing was right and it has progressed from there.

What do you love most about Batik fabrics?
What is not to love?? Batiks are timeless, they don’t go in and out of style.  They are not trendy, they mix and play well with other fabrics, they are versatile, and so much more.  Each one has such variation in color and can give you a look that no other type of fabric can do. All quilters need to have batiks as part of their stash!!!

Treasure Chest by Jackie Kunkel

Treasure Chest by Jackie Kunkel

What do you love most about the Fresh Catch line and how has it inspired the projects you created?
Fresh catch is bright and bold! Anyone who follows me knows how much I love bright and bold fabric and to use these colors in projects is a delight.  One of the colors that is prominent in this collection is orange and some people find Orange difficult to work with and I wanted to show them how they could use it.  I think, I did orange justice… What do you think?

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Do you have a favorite project that you’ve made using the fabrics and threads of Fresh Catch?
I love them all… That is a tough one.  I suppose I would pick Fractal first as it is a great representation of the entire collection.  Then I think I would pick Link Em’ Up because it is a very unique design using curves!!!

Fractal by Jackie Kunkel

Fractal by Jackie Kunkel

How did you first discover Aurifil threads?
I remember a friend of mine introducing them to me for piecing. She showed me that little spool and told me to give it a try.  I was all in at that point I love Aurifil’s 50 weight for piecing and for quilting too!

Do you have a favorite color or weight?
The one that I use the absolute most of is 2600  Dove for piecing.  However, I switch between that and 2311 Muslin.  They are both neutrals and are great for any kind of quilting or piecing.  But really you can give me any color and I can find something to do with it!!! So worth it!! Treat yourself right and get some Aurifil in your thread stash!

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THE GIVEAWAY

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To enter-to-win 1 Large Fresh Catch Thread Collection, one Fat Quarter Bundle of Fresh Catch fabrics from Island Batik,  and one set of 6 new patterns from Jackie Kunkel & Canton Village Quilt Works click here to head to the Rafflecopter entry page, or simply click on the image above. You do not have to complete all the options to be entered but the more options you choose, the more entries you have!  Entries will be accepted from now through 11:59pm Eastern Time on Wednesday, January 18! Winner will be randomly selected and announced here on Thursday, January 19. Good luck!

UPDATE: This giveaway is now closed. Congratulations to our winner, Mary Okruhlik!!

ABOUT JACKIE
WebsiteBlogFacebookPinterestYouTubeFlickrInstagram — Google+Bloglovin
head-shotJackie has been a quilter since 1993 and has owned her own business, Canton Village Quilt Works since 2000. Beginning her business as a long arm quilter and then in 2009 adding an online quilt fabric shop! She has also been a quilt designer for magazines and fabric companies since 2009, a quilting Podcaster – Jackie‘s Quilting Chronicles, and a Certified Quiltworx.com (Judy Niemeyer) instructor and shop. Jackie travels throughout the country to lecture, do workshops and trunk shows. Jackie‘s first book was published in September 2015 by Martingale & Co-titled Splash of Color: A Rainbow of Brilliant Black and White Quilts. Jackie is also a Craftsy Instructor with two online classes, one is a Quiltworx exclusive and the other is her own!  Also, Jackie has her own line of published patterns in 2015, there are now 9 in the series with more to come!  This year will also mark a new beginning for Jackie as she moves to Arizona and begins designing fabric for Island Batik as well as the patterns that will go with the fabric!!!  

ABOUT ISLAND BATIK
Website — Blog — Facebook — Pinterest — Twitter — Instagram
Island Batik is a manufacturer, importer and distributor of cotton batik, rayon batik and hand-printed cotton from Indonesia. Originally established in 1997, Island Batik’s mission is to share the ancient cultural art of batik and hand-dyed fabric with our many valued customers around the world.

Aurifil 2016 December Designer of the Month Amanda Herring

aurifil-2016-design-team-dec-amanda-herring-collageI’m Designer, Author, Radio show host Pat Sloan.. Our December Designer bringing us the 12th gorgeous blocks is the super talented and witty Amanda Herring of The Quilted Fish.. get it.. Herring… Fish? See.. I told you she is witty!

Amanda Inspires me personally, when we meet it was like we’d known each other forever. She champions the amazing industry we work in and is a constant source of creativity. She puts out 1,000% for every project.

You can listen to Amanda chat with me  on my Talk Show Nov 23, 2015 about her inspiration for her  fabric lines.

Let’s get to know Amanda!!

Where do you live Amanda?

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I live in a suburb of Salt Lake City, Utah and I love where I live!  I especially love the mountains and find great peace when I spend time there.  I have lived here my whole life, but have traveled the world.  I am always happy to call this home!  I live about 25 minutes from 5 or 6 canyons, so I be in nature any time I need to recharge.

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For a complete change of scenery, I only need to drive 2-3 hours and I can be in the gorgeous red rock part of my state.   One of my favorite destinations is Moab.  I always feel inspired after a visit here.

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What was your first quilt sighting? Did that start you quilting? 

{My wedding quilt from my grandma!}

My first quilt sighting was at my grandma’s house.  She was an avid hand quilter and I remember her working on quilts in a giant hoop.  She made a quilt for each grandchild when they got married.  My wedding quilt was one of the last she made before she passed away and it will be a treasure forever!

Seeing my grandma quilt didn’t inspire me to start, but what did was a dose of massive depression.  I started quilting as a way of finding some relief and it was wonderful!  I made 11 quilts in my first three months of quilting.  I gave away almost all of my first quilts, which also gave me great joy.  My first quilt was made from a pattern called Just Can’t Cut it by All Washed Up and I gave it as a gift to that same grandma.

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What is your background prior to designing fabric?

{Selected fabrics from collections I have designed for Riley Blake Designs…all in my fave blue, turquoise!}

Before I started my life in the quilting industry I tried lots of things.  I went to school in both interior design and fashion design.  I worked in retail for 10 years and then was an interior designer for a short period before becoming a mother.  Besides designing fabric and patterns, I also design custom rugs.  Between design and family, my life is very full!

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We all have ‘one thing’ that is kind of hits us.. what is yours?

My recent “light bulb” moment was when I used silk pins for the first time!  I couldn’t believe how much more enjoyable my pinning experience was.  I have always just used the cheapest pins I could find, and I won’t be doing that anymore!  I also have started using my seam ripper as an awl, and I am loving that, too!

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 Where do you work? would you change anything?

I am so fortunate to have two fabulous places to sew.

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One is my cottage, which is a little house that was built in 1938 and is the center of operations for all of my creative exploits.

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We purchased it about 4 years ago and completely renovated it.  It is full of joyful feelings and happy little bits and pieces that make me smile.  It is big enough that my staff can join me here, and small enough that it is intimate and cozy.

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At the cottage I sew on my turquoise featherweight (which I LOVE)! This was custom painted for me by Jeff McAllister (@OldOval) and it is a dream!

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I also sew at home, but right now it is in my unfinished basement, and it isn’t pretty at all.  So I try to save my sewing for the cottage.

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Do you have a super storage tip?

I don’t consider myself to be very organized, but I do have one thing that keeps me pretty neat while I am sewing.  It is a tiered stand I purchased from the kitchen/dining section at Pier One a couple of years ago.  I love it for my pins, cutting tools, seam rippers, extra blades….anything I like to have close.  I love that I can pick it up and move it to wherever I am.  Plus, it’s big enough that I can sometimes toss things in.

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The hard question.. favorite color of Aurifil thread!

My favorite Aurifil colors are white (2024) and then these beautiful turquoise colors (1148, 4093).  Truly, turquoise is my favorite color!  Close behind is pink, though, so I thought I would throw them in for fun.Turquoise collage-01

What about blue inspired your block?

I love blue.  I find myself gravitating towards it in design and decor.  For me, nothing is complete without some touch of blue.  My home is filled with blue, my cottage is filled with blue (you may have noticed the table, the cupboards, the walls…all turquoise) and every line I have ever designed has blue as a main part of one of the color ways.  Blue makes me feel calm and happy and I try to surround myself with it.

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DOWNLOAD Amanda’s Flower block

TIP – The seam allowance is included in the PP, so once units are ready to put together, cut ON the line and sew with a 1/4″ seam

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A few more things about me:

  • Right or left handed? I am right handed, and can’t do anything with my left!  I am the proud mom of a lefty, though!
  • Favorite  TV show? Favorite childhood TV show was “Today’s Special”.  I recently found it on DVD and ordered the entire collection!
  • Dog, cat? I am a dog person, although I love ALL animals.  This is my dog, Nuit, when she was a puppy.  She is a great dane, and my nearly constant companion.

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  • Favorite snacks? My fave snacks are nuts, especially if they are covered in chocolate!
  • All time favorite color? The color I have always loved is blue…no pink! No BLUE!Thread-2

Follow me:

instagram @amandaherringdesignsamanda-herring-paper-pieced-flower-block

Facebook https://www.facebook.com/QuiltedFish/

Website Thequiltedfish.com

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You now have 12 gorgeous blocks in your library. ALL will make excellent repeat block.. our design team did an outstanding job this year!

I pulled all their blocks & my version to see them together.

COME SEE ALL the Designer Blocks on my Design wall!

I will create a setting for the 12 blocks sometime in January. You can always use a prior setting we did .. the previous 5 years of Designer blocks are HERE, where we have 2 settings for 12″ blocks

Are you on Facebook? I have a fantastic quilt group with the most incredible show and tell going on! You should see it! JOIN me HERE … I’d love to meet you!

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******* JOIN our Aurifil Family  *******

EACH MONTH we will pick one random winner that has made a block.. that person will receive a special Aurifil thread prize! Winners are all contacted email

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Our RANDOM picker this month selected Ev!  She has WON a BOX of Aurifil thread! Such gorgeous blocks entered .. see all the great versions HERE

REMEMBER – The Photo entry is moved to my website where more people can enter, right HERE

 

 

 

 

 

 

 

 

 

 

Showcase Sunday {9.11}

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Welcome back to Showcase Sunday, our forum to showcase the beautiful work that all of you do!  We can’t get enough of the beautiful things that you’re making, so keep tagging us and sharing your work and we’ll feature some of our favorites here every other Sunday. Don’t forget to check in on Facebook & Instagram to see more! Happy Stitching:).

(Click on any image below to visit the artist’s Instagram account for more!)

@ivory_spring

@ivory_spring

@colorgirlquilts

@colorgirlquilts

@sewbespokeandco

@sewbespokeandco

@freebirdquiltingdesigns

@freebirdquiltingdesigns

@richyjr16

@richyjr16

@ladykquilts

@ladykquilts

@jennrossotti

@jennrossotti

@kidgiddy

@kidgiddy

@iamlunasol

@iamlunasol

@janequiltsslowly

@janequiltsslowly

@quiltyhabit

@quiltyhabit

@beccibee

@beccibee

@jleblanc1951

@jleblanc1951

@mybearpaw

@mybearpaw

@stephskardal

@stephskardal

@yardgrl60

@yardgrl60

@mmphsbelle_quilts

@mmphsbelle_quilts

@allie-and-me-design

@allie-and-me-design

@jeliquilts

@jeliquilts

@laurensewcycle

@laurensewcycle

Sew Illustrated Blog Tour

Sew Illustrated blog tour banner

We are thrilled to present Sew Illustrated, by Minki Kim & Kristin Esser. Have you been following along with the blog tour? We’ve loved seeing all of the gorgeous projects, reading reviews and learning more about how Minki and Kristin have inspired other designers to push the boundaries and create new works of art:). Isn’t creative inspiration the best??

Today, we have the opportunity to share all sorts of goodies with you — bits of this gorgeous new book, some of Minki & Kristin’s thoughts and inspirations via a lovely interview, Minki’s brand new Aurifil thread collection AND a fabulous little giveaway!

THE BOOK
Sew Illustrated

THE THREAD COLLECTION
Minki Kim (aka @Zeriano) is a sewing illustrator and crafter known for her sweet and whimsical thread art. Minki selected her most used colors and thread weights for her debut Aurifil thread collection, Sew Illustrated. In her words, “Threads are like brushes. You need different sized brushes when you paint.” This collection is perfect for both beginner and seasoned sewing illustrators!

Sew Illustrated
Large, 100% Aurifil Cotton
2000 – 5008 – 2620 – 6735 – 5024 (50wt, 1422yds)
2692 – 3817 (40wt, 1094yds), 2630 – 1130 (28wt, 820yds)
2605 – 3817 (12wt, 356yds), 8692 (WOOL 12wt, 383yds)

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Small
2000 – 5008 – 2620 – 5024 (50wt, 220yds) 2692 – 3817 (40wt, 164yds)
2630 – 1130 (28wt, 109yds ) 2605 (12wt, 54yds) 8692 (WOOL 12wt, 54yds)

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To view this info on our website, click the images above. For purchasing, please contact your local Aurifil Dealer.

THE INTERVIEW
What first drew you to this amazing creative world of sewing and textiles?
I’ve loved playing with a needle and thread ever since I was a little girl. My mother would give me bits of fabric and I would hand sew dresses for my dolls. When I became a mother myself I found that I had some hours to fill during the day. I went back to my roots of drawing and painting, but with little children around, I couldn’t leave all those materials around our small apartment. So I started hand embroidering my drawings and my children’s drawings. I enjoy hand work, but I felt that hand embroidery just took too long. One day my husband brought home a sewing machine for me and I wondered if I could achieve the same look by machine. I was thrilled to find out that I could! I felt that I had found the perfect marriage of drawing and sewing in sewing illustration.

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Vignette by Minki Kim

Who or what has been your greatest creative inspiration?
Without a doubt—my three girls. When they were very little, we would walk to the park or to school and I found myself wanting to capture those everyday scenes. Sometimes I would snap a picture with my phone, and sometimes I would quickly create a sketch as soon as I returned home. These scenes became my first sewing illustrations are still among my most treasured.

Sewing Illustrations by Minki Kim

Sewing Illustrations by Minki Kim

I am also inspired by everyday items and scenes—if I am baking bread, I want to draw that, if I’m making jam-I will sketch that. Piles of my girls shoes, rain boots—really anything to do with rain—cameras, my sewing space—everything around me. It is all inspiration for my drawings.

Notions Basket by Minki Kim

Notions Basket by Minki Kim

What do you love most about the process of creating?
What I love most is that you have a tangible result of your efforts to enjoy. The tea mat under your tea cup, the needle case you store your favorite needles in, the cushion on your daughter’s bed that she enjoys every day. I love to both see and use the items I create around my home. They are, in fact, what makes it a home to me. You can spend all day cleaning your house, and five minutes after your kids come home it is all undone—but that handmade coaster is always there for you to enjoy:).

How did the idea for Sew Illustrated first come about and what did you love most about the process of putting the book together?
The full story behind how Sew Illustrated came to be is all in this blog post. But the part that we like the most is that we were just two regular women who had a crazy idea to write a book. And if we’ve learned anything through this whole process, is that you just have to be brave enough to try, to take that next step. We wrote up that book proposal, completely expecting it to be rejected. But it wasn’t and here we are!

We didn’t really know for sure that other sewists would embrace this technique and aesthetic, but based on the response we have had from the book—our instincts paid off and many people are trying a new technique and finding out that it not difficult—and they absolutely enjoy it!

House Zipper Pouch by Minki Kim

House Zipper Pouch by Minki Kim

What was it like to work on the book collaboratively?
Working on the book together was so much fun. We met over countless cups of coffee and tea to plan out every detail. We have very complementary skill sets, so dividing up who did what was very easy—Minki was the designer and Kristin did the writing. Some people ask us if we are still friends after it was all done, and we are pleased to report that yes! We are still dear friends.

Do you have a favorite project from the book and why?
It’s a bit like choosing your favorite child—but I think the long-handled bag with the typewriter motif is my favorite. I love the typewriter design and it is a useful bag that I reach for over and over. I also love all of the projects for the table—coasters, tea mats, and dessert mats—for the same reason. They are useful projects that I enjoy seeing and using every day.

When did you first discover Aurifil threads and what do you love most about them? Actually, it was Kristin that first introduced me to Aurifil. Up until then I was using whatever thread was on sale at Joann’s. In fact, I really didn’t understand what difference a thread could make. But she lent me a spool and I was immediately hooked! It was eye-opening what a difference great quality thread can make! And then I was introduced to all the different thread weights available from Aurifil. This was something else that I had no idea about!

Once I began experimenting with different thread weights—it began to change my process. I think of sewing illustration as simply drawing with thread. The different weights of thread represent the different thicknesses of the pen or pencil you draw with. I can really change the look of the piece by simply using a different thread weight. I can use a very heavy 12 weight to mimic a hand embroidered look, but I also completely love the thin line that 50 weight gives a drawing.

Do you have a favorite weight/color?
As I said, I love them all for different reasons. Most of my sewing illustrations have used a dark brown (5024 and 1130 are my favorites) in the past—but recently I have completely fallen in love with dark gray (2630) 28 weight.

Sew Illustrated by Minki Kim

Sew Illustrated by Minki Kim

How did you go about selecting colors for this collection?
I wanted to introduce people to new thread weights. I think that most people have the usual 50 weight thread in their drawer and I wanted to open up a whole new world to them. So I selected a variety of weights that can easily achieve different looks, in the selection of colors that I find myself reaching for over and over.

Sew Illustrated by Minki Kim

Sew Illustrated by Minki Kim

THE GIVEAWAY

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Click here to enter-to-win 1 Large Sew Illustrated Aurifil Thread Collection and one copy of Sew Illustrated by Minki Kim & Kristin Esser for C&T Publishing. You do not have to complete all the options to be entered but the more options you choose, the more entries you have!  Entries will be accepted from now through 11:59pm Eastern Time on Friday, September 9! Winner will be randomly selected and announced here on Saturday, September 10. If located in the US, the winner will receive a physical copy of the book. If outside the US, the winner will receive an e-copy of the book. This giveaway is open to all of our international friends!

Update: This giveaway is now closed. Congratulations to our winner, Rochelle Summers!

THE BLOG TOUR
Just because the tour is almost over doesn’t mean the fun has to end! We would encourage you to visit all of the stops along the way to check out projects, tips, and more!

August 15: C&T Publications
August 16: Amy at nanaCompany
August 17: Wynn at Zakka Art
August 18: Sedef at Down Grapevine Lane
August 19: Lisa at A Spoonful of Sugar
August 20: Amy at chick chick sewing
August 21: Stacy at Stacy Olson
August 22: Debbie happy little cottage
August 23: Generation Q Magazine
August 24: Faith at Sarana Ave
August 25: Ayda at  cafenohut
August 26: Melissa at Oh, how sweet
August 27: Jemima at Tied with a Ribbon
August 28: Veronica at Vivid Felicity
August 29: Sharon at Lilabelle Lane Creations
August 30: Nadra at ellis & higgs
August 31: Kristyne at pretty by hand
September 1: Elnora on Instagram
September 2: Jennie at Clover and Violet
September 3: Auribuzz (You are HERE!)
September 4: Minki at Minki’s Work Table and Kristin at They Grow Up Too Fast

ABOUT MINKI
Website — Instagram — Pinterest Pattern Shop
Minki Kim is a formally trained artist and self-taught sewist. She discovered sewing as a creative outlet when her children were small and she wanted to capture the beauty of ordinary moments, first with hand embroidery and later recreating them with her sewing machine and fabric—literally drawing with thread. Originally from Korea, Minki now calls Southern California home, where she lives with her husband and three young daughters. On any given day you can find her in her sewing room creating projects to share on her blog, in her pattern shop,  and on Instagram.

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ABOUT KRISTIN
Website — Facebook — Instagram — Pinterest
Kristin Esser has been surrounded by sewing and crafting since childhood. She dabbled in apparel sewing but eventually found her passion in quilting, craft sewing, and knitting. She lives just down the street from Minki, where she has written Minki’s patterns and tutorials for publication in industry magazines. She writes about her creative pursuits and her life with her husband and three teenage children at kristinesser.com. 

** Images and all biographical text are courtesy of Minki Kim, Kristin Esser and C&T Publishing.

Aurifil 2016 August Designer of the Month Angela Walters

Aurifil 2016 Design Team August Angela Walters collage

I’m Designer, Author, Radio show host Pat Sloan.. Our August Designer is Angela Walters of Quilting is my Therapy.  The first time Angela and I had a chance to chat was at a trade show. It has been exciting to watch her grown as an artist and designer.

Angela has a wonderful series of articles called ‘The Business of Machine Quilting’. If you are looking to create a business quilting for others, I recommend you read her series.

I chatted with Angela 10/8/12 and 5/14/12  on my talk show CLICK to Listen or subscribe by Itunes

Let’s get to know  Angela!

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Showcase Sunday {8.14}

SHOWCASESUNDAY

Welcome back to Showcase Sunday, our forum to showcase the beautiful work that all of you do!  We can’t get enough of the beautiful things that you’re making, so keep tagging us and sharing your work and we’ll feature some of our favorites here every other Sunday. Don’t forget to check in on Facebook & Instagram to see more! Happy Stitching:).

(Click on any image below to visit the artist’s Instagram account for more!)

@colorgirlquilts

@colorgirlquilts

@sarahedgarprettyfabrics

@sarahedgarprettyfabrics

@duringquiettime

@duringquiettime

@kimmiekaren

@kimmiekaren

@richyjr16

@richyjr16

@jennrossotti

@jennrossotti

@aquilterstable

@aquilterstable

@a_swede_life

@a_swede_life

@mrssophie2

@mrssophie2

@sewbespokeandco

@sewbespokeandco

@mommy2lu

@mommy2lu

@sariditty

@sariditty

@thequiltyarn

@thequiltyarn

@mybearpaw

@mybearpaw

@misterdomestic

@misterdomestic

@snippets101

@snippets101

@suerasmussenquilts

@suerasmussenquilts

@piecefullife

@piecefullife

@ivory_spring

@ivory_spring

@redbirdquiltco

@redbirdquiltco

@jolene_is_a_longarm_quiltr

@jolene_is_a_longarm_quiltr

@shrutinow

@shrutinow

@punkinpatterns

@punkinpatterns

@makemakemakeymake

@makemakemakeymake

 

 

Guest Post: Quilting With Aurifil’s 12wt by Quilting Jetgirl

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Please help us in welcoming Yvonne of Quilting JetGirl to Auribuzz! We always love seeing what Yvonne is up to and lately, it seems she is everywhere! Between the Quilter’s Planner, the Snowflake Shimmer Quilt Along, a new line of patterns carried by Brewer and all sorts of fun secret sewing, Yvonne has been keeping very busy:). We’re thrilled that she wanted to try out our 12wt thread for a bit of free-motion quilting and have no doubt that her experiments will be incredibly helpful to many of you. So, without further pause, we’ll hand this over to Yvonne!

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I am very excited to be chatting with fellow thread and quilting enthusiasts today! I am Yvonne @Quilting Jetgirl, and today I am going to be sharing my recent exploration of free motion quilting using Aurifil’s amazing 12wt thread.

Yvonne @Quilting Jetgirl

This exploration is all born out of a specific vision I have for a quilting project. I selected my thread colors, and the beautiful rainbow has been tempting me to sew with them immediately!

12wt Thread Rainbow

Before diving right into the project, though, I wanted to spend some time getting used to sewing with the heavier weight thread. I quilt on a 2004 APQS Millennium long arm machine, and I typically quilt using 50wt Aurifil. I knew it would take a bit of time and patience to figure out what combination of settings would work best for me.

12wt Samples

I started with a large spool of 12wt 4657 (Tramonto a Zoagli) as my top thread, a standard MR 4.0 18 needle, and 50wt 2420 (Fleshy Pink) in my bobbin. I adjusted the top tension as I sewed the first sample, but no matter how tight I set the top tension, the 12wt thread would jump out of the tension spring and pull through to the back.

Sample 1

My rule of thumb is to make small changes, so for my next sample the only thing I changed was to use a double layer of batting with everything else left the same. Not only did the 12wt thread still pull through to the back, but occasionally a stitch was even dropped. You might notice that I actually did change something else: I used a print for the backing of this sample. Even though I was combing through my scrap bin for these samples, I decided that I would only use solids as I continued to explore my settings so that it would be easier to evaluate the stitches!

Sample 2

Because double batting would actually not be beneficial for my final project and there was no marked change (or if anything it was worse), I went back to single batting for the rest of the samples. My next thought was to use a larger needle, since I was exploring using the 12wt as my top thread. I upsized to the MR 4.5 19 needle, and, if anything, the thread was even less stable and pulled through to the back even more.

Sample 3

For Sample number 4, I moved the 12wt thread to be placed in the bobbin and put the 50wt thread on top. I kept the larger needle installed, and I left all tension settings alone. I thought that this showed impressive improvement, although there are clearly tension issues and “eyelashing” that can be seen. At this point, it also became obvious that using a variegated thread was going to be a challenge due to occasional high contrast between the 12wt and 50wt thread.

Sample 4

For the fifth sample, I used the same thread color in 12wt in the bobbin as the 50wt thread on top: 2535 (Magenta). I spent time adjusting the bobbin tension before getting started. I was really excited and pleased with this sample, and it became clear that the larger needle was no longer needed.

Sample 5

So I switched back to my normal needle size and quilted Sample 6. I am very pleased with the settings, and I am ready to quilt my concept while I have the settings dialed in and before I need to quilt something else!

Sample 6

Note that this is just what I have found to work best for my quilting style and machine, but the same approach works for any sewing machine (long arm or domestic). In general, I recommend a slow change approach when you are trying something new or troubleshooting any quilting problem. By changing one thing at a time, even if you know another change is necessary (like bobbin tension when switching between 50wt and 12wt), it is easy to get a clear understanding of where the sensitivities to the problem are.

And in this case, it was especially beneficial to me because I come across a planning issue when I started working on the final quilt: I wanted to include more fine detail than I was capable of controlling reliably on my longarm. So I headed straight over to my domestic machine and after a few quick test samples with the 12wt in my bobbin, I decided to quilt the mini on my domestic.

Sneak Peek

I hope this inspires you to consider stepping outside your quilting box and trying something new, whether it is giving 12wt thread a try or experimenting and learning a quilting motif you have been itching to try. Happy Quilting!


ABOUT YVONNE
WebsiteFacebookInstagramPinterestTwitterYouTube

Yvonne @Quilting Jetgirl is an intuitive introvert who is passionate about hometown and online quilting community. She believes that quilts can cover the world with care and love, and she uses her blogging platform to cultivate a community with which she shares her passion for quilt making and quilt pattern design.

On Yvonne’s Blog —
12wt Aurifil {Sunday Stash}
Quilting with 12wt Aurifil: Auribuzz Tutorial

Yvonne strongly believes that:
You are creative.
Nobody and nothing is perfect: You are doing your best work right now.
The secret to success is to show up, try, learn, modify, and repeat.

The Tropical Box by McKenna Ryan

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Tigerfish is McKenna Ryan‘s latest premier line of Batiks with Robert Kaufman. Featuring a gorgeous range of sweet and bright colors, this collection pulls inspiration from the sea. The coordinating Aurifil Thread Collection, The Tropical Box, features our 50wt thread. Though it was designed to coordinate with Tigerfish, it makes a terrific Summer sewing companion to a variety of prints and solids!

THREAD COLLECTION DETAILS
The Tropical Box
100% Aurifil 50wt Cotton, 12 Large Spools
1125 – 2588 – 2435 – 1148 – 2805 – 5005 – 2105 – 3660 – 2884 – 3320 – 1243 – 3840

McKennaRyan

100% Aurifil 50wt Cotton, 10 Small Spools
1243 – 2805 – 3320 – 3840 – 2884 – 3660 – 2105 – 1148 – 1125 – 2435

McKennaRyanSM

To view this info on our website, click on either of the images above. For purchasing, please contact your local Aurifil Dealer.

THE INTERVIEW
How did you first discover the world of quilting and what was it that really drew you in?
As a child, my greatest joy and solace came from immersing myself in nature, collecting driftwood, rocks and wildflowers to create natural one-of-a-kind art pieces. I told my family that someday I would live surrounded by mountains, flowers and wildlife, near lakes and streams. Years ago, I found myself immersed in a corporate lifestyle in Boston and made the grand decision to leave it all behind and move to the wilds of Montana. On the way there, I wandered into a quilt shop for the first time. It was mesmerizing and I felt as though time almost stood still. The colors, textures and designs of the quilts moved me beyond words and the seeds were planted.

Mermaid Kisses by McKenna Ryan

Mermaid Kisses by McKenna Ryan

High Tide by McKenna Ryan

High Tide by McKenna Ryan

How did your new surroundings inspire an eventual quilting career?
As I settled into my new community of only 200 residents, I quickly discovered that many of the women spent the wintry months quilting. I took an appliqué quilting class, bought my first sewing machine for $50.00 and found a passion I had never really known before. Living at the edge of Glacier National Park, natural beauty was all around. I wanted to reflect this, in quilts, but at the time there were few nature-inspired patterns, so I started making my own.

What is the process of creating like for you, whether it be for a new fabric collection, a new pattern, or something different entirely?
Over the years, I’ve realized that designs tend to come to me in their own time and I just need to trust the process. Sometimes an entire compilation will just appear in my head and I have to quickly sketch the overall composition. Then, I start pulling fabrics and colors that I know will achieve a certain feel. Next, I go to work on the details, cutting as many as 25 prototypes of a plant or animal before selecting one that best fits with the scale and flow of the entire piece. When I can connect to the creative process as a part of creation itself and let my work fulfill a higher purpose, then I am always pleased when the process is complete. It is not so much that I have created a new design, but participated in it. The better I become at trusting this process, the more I am able to access a certain grace that is inherent in the process. This grace or connection is what I believe makes art come to life. And I believe all great art is alive.

How did you decide to start your own business and what was the process like for you?
As I continued to grow and learn within the practice of quilting, I found a color, balance and design that were uniquely my own, and decided to start my own design company. On one of my long drives through the Rocky Mountains (2.5 hours to the grocery store!) I noticed the beautiful pine forests and claimed the name for my company: Pine Needles. I attended my very first Quilt Market in 1995 and though it was a wonderful experience, I found that my personal success came when I didn’t worry about trends in the marketplace and instead followed my heart. At my second Quilt Market, I introduced “Moose Junction.” I consider it to be one of my big milestones! It had masculine character with feminine appeal, and it was just what the market needed.

Moose Junction by McKenna Ryan

Moose Junction by McKenna Ryan

How would you describe your creative vision and how it infects your work?
My tag line is “Simply Beautiful…Beautifully Simple”. As I’ve grown over the years, I find that I want to challenge myself in capturing more depth and dimension with the use of fabric, while still making it a project that is easy and fun. I love the idea of quilting as a ‘living art.’ When I design, one of the greatest gifts is the awareness that what I create is going to come to life again and again in a myriad of incredible and unique ways. When I started my company, part of my mission statement was that I wanted to somehow touch the lives of others through my art. Since starting, I feel that my designs have touched the lives of many. It is this aspect of my work that truly means the most!

McKenna's Showroom in Historic Milwaukie Oregon

McKenna’s Showroom in Historic Milwaukie Oregon

*Patterns for all quilt projects shown above will be available on McKenna’s website starting in October.

MCKENNA’S APPLIQUE QUILT METHOD (via Fons & Porter)

THE GIVEAWAY

McKennaRyan-Rafflecopter

To enter-to-win 1 Tropical Box by McKenna Ryan for Aurifil Thread Collection and one Fat Quarter Bundle of Tigerfish by McKenna Ryan for Robert Kaufman Fabrics,  click here to head to the Rafflecopter entry page, or simply click on the image above. You do not have to complete all the options to be entered but the more options you choose, the more entries you have!  Entries will be accepted from now through 11:59pm Eastern Time on Wednesday, August 10! Winner will be randomly selected and announced here on Thursday, August 11. Good luck!

UPDATE: This giveaway is now closed. Congratulations to our winner, Terry Helms! 

ABOUT MCKENNA
Website — FacebookPinterestInstagramTwitter
WITHBLEED_LARGEAurifil_McKeannaRyan_2016McKenna Ryan’s Art Quilt and Fabric Showroom is nestled in the hamlet of the historic Milwaukie district just South of Portland proper. Her website has become a destination for quilters worldwide. Visit either to truly immerse yourself in McKenna’s world, where hummingbirds hover over brilliant flowers, elk bugle in lush fabric forests, eagles soar across quilted landscapes and smoke rises wistfully from cabins in the woods. Come in, cozy up, and see why McKenna’s quilt artistry has captivated fans across the globe. (see more via McKenna’s Robert Kaufman Designer Page)

**All images and biographical text courtesy of McKenna Ryan Designs.

The Heather Jones Collection

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Color DashHeather Jones‘ debut collection for Robert Kaufman, is a stunning collection of prints in an array of bolds, brights and black & whites. It is available in three primary color ways: Sorbet, Harvest and Shadow. The collection is a terrific stash builder, featuring prints that are not only strong on their own, but partner incredibly well with other fabrics.  Heather’s Aurifil Thread Collection, The Heather Jones Collection, features our 50wt thread in a gorgeous lineup of colors that coordinate best with the Sorbet & Harvest color ways.

THREAD COLLECTION DETAILS
The Heather Jones Collection
100% Aurifil 50wt Cotton, 12 Large Spools
2115 – 2230 – 4020 – 2566 – 2220 – 2372 – 5015 – 1147 – 2835 – 5006 – 2784 – 2600

HeatherJones

100% Aurifil 50wt Cotton, 10 Small Spools
2230 – 4020 – 2566 – 2220 – 2372 – 5015 – 1147 – 2835 – 5006 – 2784

HeatherJonesSM

To view this info on our website, on either image above. For purchasing, please contact your local Aurifil Dealer.

THE INTERVIEW
What first drew you to this amazing world of quilting?
I have always loved quilts, but didn’t grow up in a family of quilters. My great-great-Aunt Ollie was born in rural eastern Kentucky in 1895, and she is the only person that I know of in my family that quilted. I’m sure she learned out of necessity, as many people from her era and community did, but she seemed to have made it a hobby because she continued to quilt throughout her life. She made me a quilt when I was a baby (when she was almost 80 years old) and it’s one of my most prized possessions to this day. My mom has a few other quilts that she made, and because of Aunt Ollie’s work, I learned the importance of quilts from a very early age. I also began to buy vintage and antique quilts when I was a teenager, from another great-aunt’s antique shop. I’d look for them every time that I visited her, and still buy them when I can to this day. However, it wasn’t until many years later that I began to make quilts myself, after seeing the work of the quilters of Gee’s Bend and Denyse Schmidt, and after the growth of the Modern Quilt Guild.

Heather and her Aunt Ollie

Heather and her Aunt Ollie

Do you remember the process of creating your first quilt and how you felt once it was finished? 
As I mentioned above, I have always loved quilts, but I was intimidated to make one for a long time. I was afraid of all of the little pieces and nervous that I would mess it up if I tried to make one, plus they can be kind of sizable projects, so for a long time I just admired them from afar. I made my first quilt while I was in college as a gift for my mom, and even though it was far from perfect, I remember feeling a great sense of accomplishment once it was finished. There is something really satisfying to me about making something with my hands, which is one reason why I love quilting so much.

Dash Quilt in Color Dash

Dash Quilt in Color Dash

Who or what has been your greatest creative inspiration?
My children, Aidan and Olivia are my greatest creative inspirations. They have given me the confidence to follow my dreams and to try things I had never done before. It really is because of them that I do what I do, because I started my handmade business almost ten years ago because I began to make accessories and clothing for babies and children, after making things for them. My husband Jeff is also a great source of inspiration, as well as my biggest cheerleader, and I definitely couldn’t do what I do without him. He’s always challenging me to try new things he supports all of my endeavors along the way.

Ohio Supernova Mini in Color Dash Harvest

Ohio Supernova Mini in Color Dash Harvest

What do you love most about the process of creating, whether it be for a new fabric collection, a new pattern, or a new work of art?
My favorite part of the creative process is figuring out the challenge of translating my inspiration, whatever it may be, into whatever project that I’m working on. I also love to find inspiration in non-traditional places and incorporate that into both my quilting designs as well as my surface designs.

How did you first connect with Robert Kaufman fabrics? 
I first connected with the folks at Robert Kaufman when I was working on a publication for Generation Q, I believe, for their inaugural issue. They provided me with fabrics for the project that I designed for the magazine, and they were really great to work with. Since then, I have worked with Robert Kaufman multiple times, for publications, for projects for my book “Quilt Local: Finding Inspiration in the Everyday,” and on some free patterns for their website using some of their different substrates. They approached me last year about working on a fabric collection, which I was really excited about, as drawing and painting were some of my first creative outlets. They are incredible to work with and I’m so proud to be a part of the Robert Kaufman team.

Color Dash Precuts

Color Dash Precuts

What was the inspiration behind your upcoming collection, Color Dash? 
Color Dash, my first line of fabric with Robert Kaufman, was inspired by my sketchbook drawings and making marks with a variety of drawing tools. I start all of my quilt designs in a graph paper sketchbook, and I also doodle in them as well, often times with thick markers and drawing pens, and those sketches became the basis of my fabric designs in this collection. I knew that I wanted my first fabric collection to include these drawings so I came up with some of my favorite designs that I thought would translate well onto fabric. I’m really happy with how the collection came out! I think it works really well on its own, but I also love the fact that my designs can be easily used with so many other fabrics as well, and I can’t wait to see what people do with it.

Color Dash on paper at the Robert Kaufman offices

Color Dash on paper at the Robert Kaufman offices

How is this collection representative of your overall artistic vision?
I always strive to make work that is completely original and true to myself, and I think that is the case with Color Dash, as well. My quilt designs tend to be bold and graphic, and the designs in Color Dash are too. I’m also excited this has allowed me to focus on surface designs again, as drawing and painting were some of my first creative endeavors.

Do you have a favorite project that was created using this collection? 
My favorite project that I’ve made so far is probably my Marrakech quilt in the black, white, and gray prints from Color Dash. I think it’s really striking!

Marrakech Quilt in Shadow Color Dash

Marrakech Quilt in Shadow Color Dash

When did you first discover Aurifil threads and what do you love most about them? 
I had heard of them for a long time, but it wasn’t until I was working on some of the projects for my book that I used them. My friend Kim Niedzwiecki, of My Go Go Life, learned that I had never used them, so she offered to send me some to try. I have to say, as soon as I tried them, I was sold. They are the best threads that I’ve ever used. I had been having some problems with the tension of my mid arm quilting machine, and that stopped when I switched to Aurifil.

Make Your Mark quilt in Color Dash Sorbet

Make Your Mark quilt in Color Dash Sorbet

Do you have a favorite weight/color? 
I like both 40 and 50 the best, and I tend to use color 2000 often because it’s a great neutral that goes well with so many colors.

How did you go about selecting colors for this collection?
It was really hard to narrow down a collection of only 10 and 12 colors of thread, when Aurifil has so many gorgeous colors to choose from! I tried to build a collection of my favorite colors that would be useful to people to use on many different projects.

The Heather Jones Collection for Aurifil

The Heather Jones Collection for Aurifil

THE GIVEAWAY

HeatherJones-Rafflecopter

To enter-to-win 1 Heather Jones Aurifil Thread Collection and one Fat Quarter Bundle of Color Dash by Heather Jones for Robert Kaufman,  click here to head to the Rafflecopter entry page, or simply click on the image above. You do not have to complete all the options to be entered but the more options you choose, the more entries you have!  Entries will be accepted from now through 11:59pm Eastern Time on Monday, August 8! Winner will be randomly selected and announced here on Tuesday, August 9. Good luck!

Update (8.9): This Giveaway is now closed. Congratulations to our winner, Katy M!!

ABOUT HEATHER
WebsiteBlog — PinterestInstagramTwitter
heather jones new headshotHeather Jones is an author, designer and self-taught quilter who lives outside of Cincinnati, Ohio with her husband and two young children. Her first solo book, Quilt Local: Finding Inspiration in the Everydaywas released in October 2015. She is the founder and former president of the Cincinnati Modern Quilt Guild; three of her original quilts were chosen as winners of “Project Modern,” a year-long national quilting design competition sponsored by the national Modern Quilt Guild; and she is also a two-time finalist for the Martha Stewart American Made Awards. Heather is often inspired by everyday places and things, and is excited by the challenge to translate that inspiration into her work. She has a great love and respect for the traditional art of quilting, is an avid collector of vintage quilts, and loves to bring a modern twist to traditional patterns. Heather’s modern quilting patterns are available at a number of online locations and she will soon be bringing the Heather Jones Studio patterns to print as well. Her work has also been featured in numerous publications, most recently in “Lucky Spool’s Essential Guide to Modern Quilting” (2014), “Quilting the New Classics” by Michele Muska (2014), and magazines including Quilty, Quiltmaker, Modern Patchwork, Generation Q, and Love Patchwork and Quilting.

Heather has taught quilting and design workshops nationally at venues such as the Makerie in Boulder, Colorado; QuiltCon in Austin, Texas and Pasadena, California; International Quilt Festival in Long Beach, California; and A Gathering of Stitches in Portland, Maine, and at many shops and guild across the country. She offers online workshops through Creativebug.com, and has also has appeared on Quilting Arts TV. Her work has been exhibited at venues including the New England Quilt Museum, QuiltCon, International Quilt Festival, and the University of Dayton, among others.

**All images and biographical text courtesy of Heather Jones.

Thread Journey: Batting & Thread

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Today’s installment of Wendy Sheppard’s Thread Journey Quilt Along is all about batting & thread, two often unsung heroes of a finished quilt. We’ve seen some of your quilts and are so impressed with your progress! If you’re sewing along and want to share your images on Instagram, please consider tagging Wendy (@ivory_spring), Aurifil (@aurifilthread)and #threadjourneyquiltalong so that we might share in your process! Have fun and happy stitching!

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Hello Friends, I hope you have been well. It’s good to be back to share a few quilting thoughts with you. Now that I have completed my Thread Journey quilt top, I am starting to think about how to quilt my quilt.

Wendy Sheppard - Thread Journey, Thread & Batting1

Just like everything else, over the years, I have come to like working with certain quilty essentials that give me very good results. Today, I am going to share with you my preferred choices of batting for domestic machine quilting. I do want to stress that I am in no way dogmatic about things. It’s perfectly fine to have your own preferred choices. Remember, Lady Catherine will never know!

SILK BATTING
If you have known me for any length of time, you will probably have known of my personal “perfect quilting combination” of thread and batting that works for me everytime — Aurifil’s 50 wt thread (HAS to be Aurifil) quilted over Hobbs Tuscany silk batting.

You may read more about the technical aspects of the silk batting here.

July28a

From a practical point of view, I love to quilt with silk batting because of the light weight of the silk. I experience less drag when I am trying to scrunch and move my quilt sandwich under the little throat area of my sewing machine. The silk batting has a slight airy loft that gives my regular quilting just the right amount of poof on the quilt. And when the light hits the quilt just right, the effect is a pleasing one!

July28b

July28c

I also like that when I do dense quilting on a quilt over silk batting, the quilt doesn’t take on an added stiffness.

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July28e

The quilt hangs nicely, and remainly softs and cuddly.

July28f

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And here is one of my ALL-TIME favorite quilts quilted with silk batting on my Bernina, Coxcomb & Berries!

Conversely, silk batting also works well with quilting that is not as dense. My quilts turn out just as pretty, without the looking like it still need “being quilted down”. Here is an example of a quilt quilted with a simple all-over motif that I don’t consider as “dense” quilting.

I like to tell quilters that I actually use silk batting as I would regular cotton batting, only I like the handling and effect of the silk batting better! That’s in a nutshell!

WOOL BATTING
If you like to do dense quilting with silk, you will absolutely adore doing dense quilting with wool! When I want to get fancy with my quilting, I like to use wool. Wool batting is everything I described for the silk batting, EXCEPT the loft is much higher! So, to get the full effect, one does need to spend some time quilting the quilt down when sandwiched with wool batting.

July28p

You can read about the technical aspect of Hobbs’ Tuscany wool batting here.

I absolutely love to use wool batting for wholecloth and applique projects. When outline quilted, the wool gives my applique shape a very distinctive poof! Here are some examples. You can see that the applique shapes take on a three-dimensional look… many have called this trick the faux trapunto technique (i.e., trapunto without the added work).

Wool is also great when I want to “create” designs around applique shapes with only quilting. The high loft of the batting gives definition to “created” designs. The boundary designs you see surrounding the applique are created entirely by quilting.

I don’t have a recent wholecloth project so show you. I actually have one that is work-in-“way too long”-progress that I can’t quite show. But here is one that I did years ago.

July28v

You really get a sense of dense quilting here… haha!

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MIX AND MATCH
When I want an even more defined poof to my quilting, I actually mix wool and cotton or wool and silk. This following quilt is quilted over silk and wool used together. You can see the poof!

July28x

This one almost gets the feeling that the batting is busting out the “quilting”! That’s because with the silk being on the bottom layer, the loft of the wool is forced to bust out on the front of the quilt.

AND NOW YOU ASK IF I EVER QUILT WITH COTTON BATTING
The answer is, I do! I use the Tuscany Bleached Cotton because it is thinner and lighter than the regular cotton batting. I generally use cotton when I do straight line quilting on quilts, or borderless quilts. I find that the cotton batting keeps the squareness of quilt better after being handled in the quilting process.

The following example is a runner I quilted with Hobbs Tuscany Bleached Cotton. I think you can tell that even though you can see the quilting, the quilting effect isn’t as “jumping out at you” as my previously shown projects.

I thought I would show you really quickly the three aforementioned batting types, all from Hobbs Tuscany Collection. From left to right: bleached cotton, wool and silk.

July28batting

I am hoping you are able to see how thin the bleached cotton batting is — the very reason I like it when I use cotton batting.  Next up is the VERY airy wool, and then we have the silk batting.  You can see that comparatively, the silk batting looks a bit more “compacted” compared to the wool.

SO… BACK TO MY THREAD JOURNEY VERSION 2…
I actually already have a general idea on how I would quilt it. For one thing, I will be using threads from my Subtle Strings collection. See you in two weeks, and you will get to see how I have quilted the quilt center! Click here if are interested in my thoughts on threads.

Subtle1 (1)

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FULL SCHEDULE:
June 2: Thread Journey: Quilt Along with Wendy Sheppard
June 16: Thread Journey: Quilt Construction, Part 1
June 30: Thread Journey: Quilt Construction, Part 2
July 14: Thread Journey: Quilt Construction, Part 3
July 28: Batting & Thread (Today)
August 11: Process of Quilting, Part 1
August 18: Process of Quilting, Part 2
August 25: Process of Quilting, Part 3

ABOUT WENDY:
QBV03_PieceBlock_12_crop_smallWebsite — Instagram
Originally from Southeast Asia, Wendy came to the US for her tertiary education.  After her degrees in Chemical Engineering, she worked in research in a wind tunnel for a spell.  Nowadays, she is a stay/work-at-home Mom to a 7 year old.  Wendy’s designs have been featured in major quilting publications, both home and abroad.  She is also an author for Landauer Publishing, as well as an online quilting instructor.  She is passionate about encouraging quilters to enjoy their quilting journey.  During her free time, she loves to read history, and indulges in hand needlework.

ABOUT SUBTLE STRINGS: (Wendy’s 2015 Aurifil Thread Collection)
WendySheppard-SubtleStrings

12 Large Spools of 100% Aurifil Cotton, 50wt
Colors included:
2310 – 2847 – 4060 – 2130 – 2715 – 5021
2210 – 2510 – 2886 – 2326 – 2423 – 5014